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The Colonie’s Nathan Rodgers Cuts ‘Machiavelli,’ A Rap Music Video-Driven Short

The Colonie’s editor Nathan Rodgers recently cut famed Chicago rapper Vic Mensa’s hard-hitting short film, ‘Machiavelli,’ directed by Andre Muir. The project features three of the artist’s music videos, each with sharply contrasting styles and tempos while sharing an intrinsic theme.

 

The Colonie’s editor Nathan Rodgers recently cut famed Chicago rapper Vic Mensa’s hard-hitting short film, ‘Machiavelli,’ directed by Andre Muir. The project features three of the artist’s music videos, each with sharply contrasting styles and tempos while sharing an intrinsic theme. The editor wove together footage from the title music video, ‘Machiavelli,’ ‘SC Freestyle,’ and ‘Rebirth,’ with photography and graphic elements to create a cinematic-like experience with a cohesive message. The soundtracks dropped with the release of Mensa’s new EP, ‘V TAPE,’ out of Roc National Records.

Rapper Vic Mensa in scene from ‘Machiavelli’

“What was cool about this project was the challenge of editing videos with very different approaches to create a story that provided the continuity the film needed,” says Rodgers.

The short film opens with the fast-moving, in-your-face track ‘Machiavelli and then cuts to a spoken narrative. A transition to the Jay-Z-sampling “SC Freestyle’ follows, as Mensa raps a dark verse over flashes of ominous images. The video closes with a vignette from ‘Rebirth,’ a subdued introspective parable. A group of men lift Mesa into a coffin and carry it down a dark road, ending the film on a surreal note.

Rodgers came on board during the early stage of the project. The editor worked closely with Muir and his team to ensure an efficient approach to a complex project with a tight deadline. The Colonie, best know for its work in the commercial and social media arenas, collaborated on the project, providing additional color correction and visual effects services.

The four-day production was shot on location on the streets of Chicago’s South Side. Director of Photography Nathan Salter captured the live-action with multiple cameras. Digital and Film Photographers Angel Harrold and Flynn Drew shot over a thousand stills during the shoot, with select photographs integrated into the short.

“This was a massive project, with a lot of moving parts,” says Rodgers. “Portraits and photographs of the inner city capturing the feel of the l footage are key components of the visual story. Graphic Artist Paul Danhauser created a mix of elements from the static photos, adding texture and dimension to the film.”

The initial footage was handed-off to Rodgers, who worked unsupervised for three days. The director, Producer Manny Caston, and Vic Mensa then joined the editorial sessions, working collaboratively on the full project. Editing on Adobe Premiere Pro, Rodgers completed cutting the film over the next ten days.

“Having worked with Andre on several projects in recent years, including Chicago rapper Towkio’s story-driven propulsive music video, ‘Symphony,’ was an advantage,” says Rodgers. “Going into the job with the benefit of an established relationship enabled me to quickly understand what he wanted and made the editing process smooth and efficient. Having both the artists and the director sit in during the session was great. It ensured that everyone was on the same page and allowed us to dig in and move quickly.”

Given the abundance of content, Muir decided to create a ‘Director’s Cut.’ His film integrates footage from the production with content from visualizers designed for ‘Vendetta’ and ‘2Honest,’ two of the seven tracks released on ‘A TAPE.’

Carbon worked on the visual effect and color correction of the full-length film. The Colonie’s Jennifer Gaida color corrected the series of visualizers on Black Magic DaVinci Resolve. Ben Pokorny created additional visual effects for the short film, and the director’s cut on Flame Premium and Adobe After Effects.

About: The Colonie:
The Colonie is an award-winning Chicago-based creative editorial, motion design, visual effects, color correction and finishing house. The company’s experienced, collaborative team of talent provides a seamless full-service approach to creating broadcast and digital content that engages, entertains, informs, and moves audiences.

Porsche, McDonald’s, Facebook, Samsung, Estee Lauder, Nintendo, Gillette, Wal-Mart and PepsiCo. are just a few of the national and global clients that call upon The Colonie to deliver compelling visual stories that elevate the viewer’s experience and connects them to their brands across multiple platforms.

For more information, visit www.TheColonie.com or contact Executive Producer, Mary Caddy at 312-225-1234.

CREDITS:

Title: ‘Machiavelli’
Artist: Vic Mensa
Genre: Short film (Rap Music)

Tracks/Music Videos:
‘Machiavelli – Vic Mensa ‘feat. Eryn Allen Kane’
‘SE Freestyle’ – Vic Mensa’ feat. Jay-Z sampling of the track
‘Rebirth’ Vic Mensa’ feat. BJ The Chicago Kid and Peter Cottontale

Production:
Director: Andre Muir

Director of Photography: Nathan Salter
Digital and Film Photographer: Angel Harrold / Flynn Drew
Producers: Manny Caston, Troy Gueno, Jake Bloom
First Assistant Director: Saró Melero Bonnin
Second Assistant Director: Lua Borges
Second Second Assistant Director: Alex Wilson
1st AC: Conor Cunningham
2nd AC: Katrina Mulligan
Steadicam Operator: Austin Vinas
Drone Operator: Chris Morrison

Editorial Company: The Colonie, Chicago
Editor: Nathan Rodgers
Additional VFX Short Film/Director’s Cut: Ben Pokorny
Colorist – Visualizers: Jennifer Gaida

VFX, Color Correction Company: Carbon VFX, Chicago
SFX Artist: Erica Martens
VFX Lead: Michael Sarabia
Colorist: Julien Biard, Carbon VFX
Color EP: Laurie Adrianopoli

Graphic Designer: Paul Danhauser
Assistant/DIT: Sam Kelly

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