Sachtler artemis Cine HD Pro Gets High Marks from Operator John Moyer - Creative Planet Network

Sachtler artemis Cine HD Pro Gets High Marks from Operator John Moyer

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Shelton, Connecticut, December 6 , 2013 --

Pittsburg-based John “Buzz” Moyer is one of the lucky ones--An in-demand Steadicam operator, he’s often on the road shooting high-profile features and television series. Recently, he upped his creativity by adding Sachtler’s artemis Cine HD Pro to his shooting tools. The first shot Moyer did with Cine HD was a brisk POV that turned into an over the shoulder of an actress moving through an office doorway towards a desk. “Having never practiced with or tweaked the sled, I was a bit nervous, but that subsided quickly, take after take,” he says. “The stability of the tracking and the solidity of the lock off was immediately noticeable. “The system is tight, clean, rugged, and almost infinitely adjustable for different ride characteristics whether it be Cadillac/Battleship or Ferrari mode,” he explains. “The hot swappable battery configurations and Hi Cap wiring aide in efficient power distribution and the ability to use Anton Bauer Dionic 90s for a long period of time with F65 or ALEXA cameras. And the multiple positioning monitor bracket allows the monitor to ride in line with the batteries for more efficient dynamic balance.” “I smile, knowing I made a great choice with the artemis,” he adds. “We decided to increase the length of a crane shot a few weeks ago on the feature I’m now working on and a makeshift platform was built for the crane. Because of the logistics of the location, the base of the crane couldn’t be placed in the optimal spot. The original plan was completely changed and it made the exit point a bit of a tight place to work. “As I walked to step on the crane before the rehearsal, I reached down, and set the batteries and monitor vertically to give me maximum room to clear my knee. I even flipped a switch (configurable power distribution) and removed the rear most battery for more clearance. I trimmed the camera as I was raising it up and was ready for the actors to hit the start mark. Not bad. I couldn’t have done that with my old sled. “On this feature, I’ve found myself doing crane drop offs, dolly step offs, ATV hard mounts, Grip Trix hard mounts, Dolly hard mounts, rain heat, running shots, stairs – all-nighters– and even straddling a toilet in a bathroom set stall. The artemis Cine HD Pro has always worked without issue – and I expect it to stay that way.” For more information visit

or contact: Sachtler, 16 Progress Drive, Shelton CT 06484, Phone: 1 203-929-1100, Fax: 203-925-2684, Email:


Open Cyber University of Korea Upgrades Production Suites with Blackmagic Design

Open Cyber University of Korea Upgrades Production Suites with Blackmagic Design

Blackmagic Design today announced that Open Cyber University of Korea has upgraded their web focused production suites with Blackmagic Design’s ATEM 2M/E Production Studio 4Ks and ATEM 1M/E Broadcast Panels. The upgrade was done to provide an easy to use and reliable production suite for the University’s teaching faculty to record and stream lessons on a day to day basis.