has today announced that Australian digital production facility
has used Nucoda Film Master to grade and finish two major feature films –
– due for release this year. The facility also used Digital Vision’s new entry-level system Nucoda Compose for VFX Dailies to review high resolution shots in a colour-accurate environment for iterative feedback. Rising Sun Pictures has a vast portfolio including the Harry Potter series, X-Men Origins: Wolverine, Australia and Superman Returns to name but a few.
Rising Sun Pictures’ DI Colourist
, who has worked on a number of high profile features including the Harry Potter series, used Nucoda Film Master’s standard toolset to grade the majority of Red Dog. The comprehensive grading tools were used to achieve the appropriate look set up by Director (
) and Cinematographer (
Michael Taylor, Rising Sun Pictures’ CEO, explains, “When we installed our Nucoda Film Master DI grading suite including Nucoda Compose we invested a significant amount of R&D to set up the technical aspects of the pipeline including identifying all new formats of delivery and acquisition as well digital cinema deliverables. This ensures the best image quality from start to finish by understanding the nature of the images acquired.”
Red Dog, was directed by Kriv Stenders and shot entirely in Australia. Daniel Taplitz adapted the Louis de BerniÃ¨res (Captain Corelli’s Mandolin) RED DOG novel. The film is produced by Woss Group Film Productions and distributed by Roadshow Films. The plot is based on the Australian legendary true story of the Red Dog who united a disparate local community while roaming the Australian outback in search of his long lost master.
Meddick has also recently used Nucoda Film Master to grade The Dragon Pearl, a film shot entirely in China under the new Australia-Chinese co-production treaty. It is a Mario Andreacchio fllm, and produced by AMPCO Films and Hengdian World Studios. It tells the story of a young boy, John (Louis Corbett) who travels to China to visit his father, Dr Chase (Sam Neill) on an archaeological dig and inadvertently discovers a real-life Chinese dragon.
Taylor concludes, “Prior to installing the Nucoda Film Master we didn’t have a real-time grading solution in a full 4k-capable cinema. This allows an entire film to be acquired, finished and viewed in a cinematic environment with full 7.1 surround sound. The system has a full feature set with an extensive physical control service to allow efficient and dynamic workflows to be built with filmmakers. We’ve also tested Nucoda Film Master’s Open EXR functionality for use within our VFX pipeline. The benefits are a higher dynamic range in the image and the ability to avoid the need to reprocess images by using our native internal linear to light colour space. This shows great potential and we look forward to seeing how it develops with the aim to use it in the grading/DI pipeline.”
About Digital Vision
Digital Vision provides innovative image restoration, enhancement, color correction and data conforming systems that major movie studios, television networks and post-production facilities use to master and deliver feature films, TV programs and commercials. The company’s Nucoda product line provides a strong suite of products for tapeless and non linear grading for HD broadcast and 2k/4k digital intermediate productions. The company’s award-winning products are a standard of the media and entertainment industry and are deployed at top facilities and broadcasters around the world.
Digital Vision AB was founded in 1988 and is headquartered in Stockholm, Sweden, with three wholly owned subsidiaries, Digital Vision (US) in Los Angeles, California; Digital Vision UK in London, England; and Digital Vision in Hong Kong, China. The company maintains its global presence through a network of qualified distributors. Digital Vision is listed on the Stockholm stock exchange. For further information, go to
All trademarks used herein, whether recognized or not, are the properties of their respective companies.
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