Projection Studio Presents ‘World Machine’ at 2015 Durham Lumiere

Publish date:

Projection artist Ross Ashton and The Projection Studio produced another spectacular work “The World Machine” onto Durham Cathedral in the UK for the 2015 Durham Lumiere light festival which attracted upwards of 200,000 people to the city over four nights of amazing light installations.

Image placeholder title

It was the fourth time that Projection Studio has created an art installation onto the Cathedral, but the first time it’s been done using video projectors. In the past, PIGI film projectors were used.

The projection system involved 14 Christie 20K machines which were positioned on a series of custom towers and hides strategically located around the perimeter of the Cathedral. This was carefully calculated to ensure that all the front facing walls and their various return surfaces were evenly lit.

There is a depth differential of 25 metres from the front to the back projection surfaces which included all three spires, and the cathedral is also made of dark stone, presenting many technical challenges. The images filling the space measured an impressive 160 metres wide by 60 metres tall.

d3 was chosen for control, for its flexibility and superior blending and mapping qualities. The show was 3D modelled in the d3 system enabling a detailed and complete wrap of the building to be produced. A designated UNESCO heritage site completed in 1096, it is one of the finest examples of Norman architecture in the world.

Says Ross, “It was a complete privilege to be invited back to Durham Lumiere by the festival’s curators, Artichoke and fantastic to work with everyone at the Cathedral together with eminent astronomers and historians from Durham University. The research required to create this work was exciting and fascinating … it was absolutely my ‘Dream Project’.”

Ross also produced all the digital art working in close collaboration with the Cosmology and History departments of Durham University and the staff of Durham Cathedral library. All contributed ideas to the concept which was initially inspired by the scientific work of English thinker, scientist and philosopher Robert Grosseteste (c1170-1253).

His specific writings included “De Luce, seu de incohatione formarum” (On Light and the Beginning of Forms) which described a medieval ‘big-bang’ theory, and this was a starting point for “The World Machine”.

Light is prominent throughout all Grosseteste's works, which suggests that the simplest form of the universe was composed from first matter (dark matter) and first form. To him, the ‘first form’ was light.

Ross was granted access to the vast facilities, interdisciplinary resources and archives at the University and the Cathedral. Around 6 months of meticulous research preceded the compilation of all the ideas and findings into a storyboard … that would be a meaningful, entertaining and accessible 13 minute large format projection and son et lumière spectacle show to be shared with and enjoyed by the public.

“It was an incredible process and I had the chance to work with some truly amazing, highly talented and inspiring people.”

These included cosmologist Carlos Frenk, the Ogden Professor of Fundamental Physics and a world renowned authority, Giles Gasper, Senior Lecturer in Medieval History, both from Durham University and Doctor Jane Gunning, Imaging Services Officer at Durham Cathedral.

Original materials used by Ross in the show included renders generated by Durham University’s super-computer related to the research of dark matter, planets and galaxies and investigations into supernovas. There were also visualisations of the universe ‘created’ by the mathematical calculations of Grosseteste which were fed into the computer and proved an extremely accurate replication of what he would have understood to be ‘the universe’ during his lifetime.

“It was all absolutely fascinating” reiterates Ross, “I am really grateful for all the time and effort people gave up to help me produce a truly unique and special show.”

Ross adds that the greatest pleasure of all was to be able to bring to life and share all of this with so many people who came to watch the show which ran to a special soundtrack written by award winning film, TV and theatre composer Isobel Waller-Bridge.

Ross worked closely with Projection Studio’s Sang Gun Kim, who led the team compiling all the 3D motion graphics and imaging making up the show content.

The projectors, control and hardware was supplied by QED and co-ordinated by Dan Gray who also programmed and operated the d3. A fabulous sound design was created by John del Nero working with Sebastian Frost.

Press reviews buzzed with positivity and social media channel chatter spiked with one tweet to Ross from a mother who reported that after seeing the show … her 8 year old son stated that he wanted to become an astronomer. It was one of many emotional moments throughout the weekend.

On the final Saturday and Sunday nights, for a period the projection team created new artwork that lit the Cathedral in blue, white and red to stand in solidarity with Paris in the wake of the terror attacks. #staystrongparis 

Photo: Ross Ashton



Black Box Radian Flex Software-Based Video Wall Platform Earns ISE Best of Show Award

Black Box, an industry-leading provider of pro AV connectivity and signal distribution systems, today announced that the company's Radian Flex software-based video wall platform won an ISE Best of Show Award from AV Technology Europe, a Future Publishing magazine. Of the more than 1,000 exhibitors at ISE 2019, only 15 — including Black Box with Radian Flex — earned this award, which recognizes achievements and innovations in product and service development.


Luxul to Bring Reliability and High Performance to IBS 2019 With Latest Networking Solutions for the Smart Home

Luxul, the leading innovator of IP networking solutions for AV integrators, today announced its technology line-up for the NAHB International Builders' Show (IBS), taking place February 19-21 in Las Vegas. In the Legrand booth SU614, the company will exhibit a wide range of solutions for home builders that deliver reliable, high-performance networks in smart homes, including Gigabit switches; the next generation of wireless controller technology; indoor and outdoor wireless access points (APs); wired and wireless routers; intelligent network power distribution units (PDU); and the Wi-Fi Assurance Program exclusively for builders.


HoverCam's Pilot Series and ClassFusion Learning Platform Land Big Wins at TCEA 2019

HoverCam, a leader in innovative, interactive, and engaging education solutions, announced that the company's digital classroom solutions received three major honors from Tech & Learning at the recent Texas Computer Education Association (TCEA) 2019 Conference in San Antonio. At the show, HoverCam's Pilot 3 digital teaching station received the Award of Excellence in the District category, while the company's new Pilot X podium and ClassFusion software platform both earned Best of Show honors. The awards were presented on Feb. 6 at a special ceremony held at Casa Rio restaurant in San Antonio.


College Football Playoff Uses Veritone's AI and Digital Asset Management Solutions to Enable Richer Media Coverage

Veritone Inc. (Nasdaq: VERI), the creator of the world's first operating system for artificial intelligence, aiWARE™, today announced that the College Football Playoff (CFP) leveraged an expanded deployment of Veritone solutions and services for the 2019 CFP National Championship to give members of the media even faster and richer access to its content resources. In addition to the CFP's Digital Media Hub, a white-label digital asset management portal from Veritone, the CFP also utilized Veritone's Live Event Services and aiWARE artificial intelligence platform for the first time. With aiWARE, the CFP was able to apply artificial intelligence to video footage and still images of press conferences, interviews and other Media Day events to produce transcriptions, automated facial recognition of players and coaches, logo identification, and other tasks enabling expedited and enhanced coverage of the 2019 College Football Playoff National Championship. For the first time, the CFP was able to make Media Day press conference clips and images available for search and immediate download within minutes of delivery. Following the success of this deployment, CFP has renewed its agreement with Veritone through the 2020 championship game in New Orleans.