Stockholm, Sweden and Burbank, CA - 29 November 2006 - Digital Vision, a leading developer of advanced digital media applications for film and video, today announced that iO Film, a top post facility in Hollywood, recently completed DI work on two independent films, “Man in the Chair” and “Nobel Son” using its Nucoda Film Master system. The two projects represent the growing trend in independent filmmaking toward incorporating digital intermediate (DI) processes to deliver a high-quality result.
“Man in the Chair,” written and directed by Michael Schroeder, tells the story of a rebellious teen with aspirations of being a film director who enlists the help of a senior citizen crew to make a film on the plight of the elderly for a local competition. It features Christopher Plummer and Robert Wagner, and was shot using two 35mm cameras throughout the film, as well as hand-cranked cameras. The DP was Dana Gonzalez, (“Crash”) who had participated in the DI process at iO Film using Film Master on that feature as well.
Schroeder said, “You can save a lot by shooting 3-perf, and that commits you to a DI. All of the different formats we had, including old 1” black-and-white footage, were blended and colourized in the DI. If we had to achieve that using photochemical processes or even visual effects, the lab costs would have taken a large chunk of the overall budget. By doing a DI we were able to apply that budget to creative tasks. He added, “It‘s a myth that independent films can‘t afford DI. I can‘t afford not to have it, and I couldn‘t have done this project without iO Film.”
“Nobel Son,” a comedy directed by Randall Miller, features Danny DeVito and Mary Steenbergen. iO Film colourist Michael Mintz employed the Film Master system for primarily creative reasons - to help achieve Miller‘s goal of creating particular looks for specific scenes, to intensify the drama. In one scene, a hostage situation, Mintz used Film Master‘s deep grading toolset to create a very high-contrast, almost skip-bleach/bleach-bypass look. “It gave the director the ‘uncomfortable‘ look he was going for,” said Mintz. To create the overall ‘sharp‘ look Miller had in mind for the entire film, Mintz made extensive use of the Film Master‘s aperture tool to intensify the already-sharp scans using the DI system.
Tim Krubsack, president if iO Film, noted, “The four Film Master systems we have are at the foundation of our DI business. With the tools in the system and the skill of our colourists, we can help achieve directors‘ very different goals - whether they‘re trying to create a look, correct and match footage, or just make their images look as perfect as possible. The recognition by independent filmmakers that the DI process is not just for big-budget projects has really taken hold, and with our brand new facility we‘re making sure we always have the rooms, tools, and talent in place to serve them.”
Nucoda Film Master is a resolution-independent, end-to-end finishing system for feature films, commercials, long-form television, and restoration applications. For more information, visit
Digital Vision provides innovative image restoration, enhancement, colour correction and data conforming systems that major movie studios, television networks and post-production facilities use to produce and enhance feature films, TV programs and commercials. The company‘s Nucoda product line provides a strong suite of products for the burgeoning digital intermediate 2k/4k market. The company‘s award-winning products are a standard of the media & entertainment industry and are deployed at top facilities around the world.
Digital Vision AB was founded in 1988 and is headquartered in Stockholm, Sweden, with two wholly owned subsidiaries, Digital Vision (US) in Los Angeles, California, and Digital Vision UK in London, England. The company maintains its global presence through a network of qualified distributors. Digital Vision is listed on the Stockholm stock exchange. For further information, go to
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