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GMA Network’s Magkaagaw Shot Using Blackmagic URSA Mini Pro 4.6K G2s

Blackmagic Design today announced the hit Philippines show “Magkaagaw” was shot with Blackmagic Design’s URSA Mini Pro 4.6K G2, which were used with Blackmagic Design ATEM Television Studio Pro HD. Directed by Gil Tejada Jr., the soap opera airs on the Philippines GMA Network every day Monday through Saturday and has already completed nearly 100 episodes since its premiere.

Fremont, CA – April 22, 2020  Blackmagic Design today announced the hit Philippines show “Magkaagaw” was shot with Blackmagic Design’s URSA Mini Pro 4.6K G2, which were used with Blackmagic Design ATEM Television Studio Pro HD. Directed by Gil Tejada Jr., the soap opera airs on the Philippines GMA Network every day Monday through Saturday and has already completed nearly 100 episodes since its premiere.

“Magkaagaw” is a story of love, lust, power and revenge and stars Sheryl Cruz, Alfred Vargas, Sunshine Dizon, Klea Pineda and Jeric Gonzales. The show, which premiered on October 21, 2019 on the GMA 7 channel, has quickly grown to become one of the GMA Network’s top rated shows.

With the show, Gil Tejada, one of the Philippines’ most experienced TV directors having worked on more than 35 shows since 1996, was faced with shooting 96 episodes in a short amount of time on a tight budget.

“Shooting a series here is completely different to what western shows have to do. Budget and time are always top considerations, and we don’t get much time to prepare since we have a broadcast date to beat once the cameras start to grind,” Tejada said. “You have to be creative, resourceful and resilient. Especially in a show like this where we are shooting 35 to 40 sequences a day, go to air six times per week and create a product that is the same high quality as any other show around the globe.”

For “Magkaagaw,” Tejada envisioned a look that mixed the traditional look of a soap opera but with a movie like texture that was more glossy and with vivid color.

“I needed cameras that shot high quality film looks, that could ISO record, record multitrack audio, have interchangeable lenses I could change from zoom to primes, come with an intercom for me to communicate camera operators and the assistant director. And easily work with a switcher. The URSA Mini Pro G2 gave us all of this,” he said. “We needed versatile as well as small cameras to be able to set up and shoot fast so that we could meet the network’s mandate of global competitiveness in mind.”

The production uses three URSA Mini Pro G2 cameras attached via optical fiber to an ATEM Television Studio Pro HD switcher. Signals are transported via 12G SDI distribution, with each camera recording ISO and a signal captured for instantaneous pre editing.

The URSA Mini Pro G2 cameras also gave Tejada the ability to be as creative and flexible as possible. Production is done on location outside Manilla and the URSA Mini Pro G2’s ability to be easily transported and quickly set up has allowed Tejada to work wherever he needed, including shooting handheld and on tripods.

“As the series is being shot on location we almost always color correct or select specific looks beforehand. The DP, technical director and myself used the camera’s built in color temperature settings, tint and specific light color temperatures to create night and day palettes,” Tejada said.

Tejada continued: “For the opening sequence of the show we shot on location in Cebu City, a thousand kilometers south of Manila. It was a wedding scene set in early ‘90’s, and I visualized the exchange of the couple’s I do’s at magic hour, situated on a hilly vast garden over looking the cityscape.

“I was nervous since at 5 pm we were just starting the set up and the sun started to move down very fast. My DP immediately positioned two cameras facing the skyline to capture the blue sky, and the third cam was in a zoom to capture the details of the wedding in progress. In 15 minutes we managed to shoot the reverse and several inserts, and finished the entire sequence in less than an hour. Having the smaller URSA Mini Pro cameras was a big advantage and they were able to capture the beautiful and romantic scene we envisioned during pre production.”

“Magkaagaw” was the second TV show that Tejada used Blackmagic Design cameras with, previously using Pocket Cinema Camera 4Ks with the GMA show “Magpakailanman.”

“In my personal capacity as a director I always wanted to look for something that might improve my creativity using available technologies. This past June I first saw the URSA Mini Pro G2 and was impressed by its credentials. It was small but packed with goodies and technologies you find on a much, much expensive competitors, including different gradient ND filters available, which are very useful to address the different exterior lighting conditions.”

Press Photography

Product photos of URSA Mini Pro 4.6K G2, ATEM Television Studio Pro HD, Pocket Cinema Camera 4K, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

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