DaVinci Resolve Studio Used by Trish Cahill at Soundfirm to Grade ‘The Dressmaker’

Author:
Publish date:

Fremont, CA - October 8, 2015 - Blackmagic Design today announced that the Australian film “The Dressmaker” was graded using DaVinci Resolve Studio by Trish Cahill at Melbourne and Sydney, Australia based post production facility Soundfirm.

Based on the book by Rosalie Ham, “The Dressmaker” takes place in the 1950s and follows Myrtle ‘Tilly’ Dunnage (Kate Winslet) as she returns to her hometown to take care of her ill mother, Molly (Judy Davis), from whom she was sent away at the age of ten because of false accusations of murder. Tilly, an expert dressmaker, transforms the locals with her couture creations and in the process, exacts revenge on the people who wrongly accused her of murder all those years ago. The film is produced by Sue Maslin, directed by Jocelyn Moorhouse and also stars Liam Hemsworth, Hugo Weaving and Sarah Snook.

“I made the decision to take ‘The Dressmaker’ to Soundfirm as it is a ‘one stop shop' for state of the art sound and picture post production and enabled us to work with a world class team of professionals who cared deeply about the story,” said Sue. “I couldn't be happier with the creative results that Resolve delivered in the hands of Don McAlpine and Trish Cahill."

According to Trish, the look of the film needed to be true to the dry Australian landscape it is set in, but it also needed to remain rich and beautiful. “Don McAlpine is a master cinematographer, so as you can imagine, the film came to me with wonderful meat and bones already,” said Trish. ”After the initial balance was in place, we looked for little things to enhance each frame, such as a chop at the top of frame here or an extra bit of sunshine on a patch of grass there.”

She continued: “We had the opportunity to experiment a little with the memory scenes where Kate Winslet’s character remembers moments from her childhood, which needed to look different from the present. We ended up with a moody contrast look with a desaturated, ashy palette. Wherever we had skies and silhouette trees we graded, keyed and dropped the mids. There was definitely a focus on the environment.”

In one day for night shot, the camera is on a dolly moving towards a silo, and Trish was tasked with retaining this camera movement while creating a starry nighttime sky. “It fell into place very quickly using Resolve’s super fast tracker for grades and the intuitive keyer to control the various areas of the image,” said Trish. “The very next shot is the two main characters gazing up at the stars and talking about the night sky, and the shot needed stars. I made numerous one pixel windows with a slight blur and lots of brightness and started moving them all over the place, occasionally making some brighter than others to recreate the randomness of a starry sky. The consensus in the room judging on a still frame was that it worked well.”

However, once the scene was played back, the stars needed more integration into the shot as the camera dollied forward. “Luckily for us, Resolve's shape tracker and stabilizing tools are fantastic, so one run through at real time with default settings on the stabilizer tool and bam! DaVinci Resolve made the stars sit perfectly into the night sky without any loss of our wonderful dolly effect,” said Trish.

DaVinci Resolve Studio’s tracker also proved beneficial when protecting the performances and subtlety of the actors’ eyes and faces while maintaining the rich and tonal look for the film. “We have gorgeous actors with beautiful blue eyes, which were sometimes a challenge to maintain in warmly lit scenes. This is where Resolve’s tracker also came in handy,” said Trish. “To be able to go through the film and highlight the moments and selective colors we needed and yet keep the frame rich, vivid and inviting on a whole was a case of having our cake and eating it too.”

Trish concluded: “The shape tracker allows for a colorist to keep the match and the beauty of a scene and also keep the performance and draw subtle attention to the moments that enhance the film. Without this intelligent and fast tool, you would have to keep a very strict priorities list of what could be achieved in the timeframe, because these things can take time. Now I find myself leaping into the tough stuff without hesitation and without having to do mental calculations as to whether this will blow out the schedule.”

DaVinci Resolve Studio was also used for the online edit of the film at Soundfirm, which has a number of Resolve Studio suites in both its Melbourne and Sydney facilities. And according to Jonathan Burton, digital imaging supervisor at Soundfirm, “The flexibility of the system really allowed for it to form the backbone of the DI post workflow, especially given that the production wanted to retain the 4K RAW files all the way to the final mastering of the film.”

He explained: “Resolve was used as the primary conform tool at Soundfirm Melbourne where the offline edit of the film was also done. There is a big advantage in being able to conform the film as the edit progresses, allowing the production to go between the online and offline versions of the cut and ultimately reflect any minor edit tweaks until the final picture lock off. Resolve was next used to handle all of the VFX I/O, creating deliveries to go to the VFX team along with temp grades, reviews and returns of VFX finals to go back into the online.

“The final conformed Resolve projects were then sent up to our grading theatre at Fox Studios in Sydney, and DaVinci Resolve’s Consolidate Clips tool was used to move all the media and manage the transition between facilities,” added Jonathan. “Overall the integration of DaVinci Resolve between Soundfirm's multiple facilities allowed us to manage the complexities of the workflow in the simplest and most effective post pathway.”

He concluded: “Overall I would say the biggest benefit is the flexibility of the system. Purely as a grading tool Resolve is fantastic and a top choice by colorists the world over, but from the point of view of a post house, the ability to use the same system across multiple facilities for everything in the DI path is a very powerful asset.“

Press Photography

Product photos of DaVinci Resolve and all other Blackmagic Design products are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Related

BlackBox-Radian

Black Box Radian Flex Software-Based Video Wall Platform Earns ISE Best of Show Award

Black Box, an industry-leading provider of pro AV connectivity and signal distribution systems, today announced that the company's Radian Flex software-based video wall platform won an ISE Best of Show Award from AV Technology Europe, a Future Publishing magazine. Of the more than 1,000 exhibitors at ISE 2019, only 15 — including Black Box with Radian Flex — earned this award, which recognizes achievements and innovations in product and service development.

Luxul_XMS-1208P

Luxul to Bring Reliability and High Performance to IBS 2019 With Latest Networking Solutions for the Smart Home

Luxul, the leading innovator of IP networking solutions for AV integrators, today announced its technology line-up for the NAHB International Builders' Show (IBS), taking place February 19-21 in Las Vegas. In the Legrand booth SU614, the company will exhibit a wide range of solutions for home builders that deliver reliable, high-performance networks in smart homes, including Gigabit switches; the next generation of wireless controller technology; indoor and outdoor wireless access points (APs); wired and wireless routers; intelligent network power distribution units (PDU); and the Wi-Fi Assurance Program exclusively for builders.

HoverCam_Pilot3

HoverCam's Pilot Series and ClassFusion Learning Platform Land Big Wins at TCEA 2019

HoverCam, a leader in innovative, interactive, and engaging education solutions, announced that the company's digital classroom solutions received three major honors from Tech & Learning at the recent Texas Computer Education Association (TCEA) 2019 Conference in San Antonio. At the show, HoverCam's Pilot 3 digital teaching station received the Award of Excellence in the District category, while the company's new Pilot X podium and ClassFusion software platform both earned Best of Show honors. The awards were presented on Feb. 6 at a special ceremony held at Casa Rio restaurant in San Antonio.

Veritone_CollegeFootballPlayoff

College Football Playoff Uses Veritone's AI and Digital Asset Management Solutions to Enable Richer Media Coverage

Veritone Inc. (Nasdaq: VERI), the creator of the world's first operating system for artificial intelligence, aiWARE™, today announced that the College Football Playoff (CFP) leveraged an expanded deployment of Veritone solutions and services for the 2019 CFP National Championship to give members of the media even faster and richer access to its content resources. In addition to the CFP's Digital Media Hub, a white-label digital asset management portal from Veritone, the CFP also utilized Veritone's Live Event Services and aiWARE artificial intelligence platform for the first time. With aiWARE, the CFP was able to apply artificial intelligence to video footage and still images of press conferences, interviews and other Media Day events to produce transcriptions, automated facial recognition of players and coaches, logo identification, and other tasks enabling expedited and enhanced coverage of the 2019 College Football Playoff National Championship. For the first time, the CFP was able to make Media Day press conference clips and images available for search and immediate download within minutes of delivery. Following the success of this deployment, CFP has renewed its agreement with Veritone through the 2020 championship game in New Orleans.