, formerly Digital Vision, has today announced that its
Refine restoration system was used by
, one of the world’s leading film and digital laboratories, to restore 1940s French classic
in 4K. Directed by Marcel Carné the film was shot in Paris and Nice during World War II’s German occupation of France. In 1995 it was voted “Best French Film Ever” in a poll of 600 French critics and professionals.
Screened at this year’s
(Il Cinema Ritrovato) the film is more than three hours long, divided into two epochs: Boulevard du Crime, set in the mid-1820s; and L’Homme Blanc seven years later. The restoration project was vital as the physical condition of the original negative, owned by film giant Pathé, was badly damaged and in danger of falling apart. When it arrived at Éclair the original negative was held in 11 film cans housing approximately 2,000 feet of material. The team at Éclair faced a number of challenges as they had to contend with a lot of moisture and mould as well as missing frames and huge wear and tear. Due to the popularity of the film in its day it had also been copied numerous times adding to its demise.
Using a further two copies of the original negative the team at Éclair was able to reconstruct the film in its entirety. It was scanned at 4K in Italy and sent to Éclair on disk. Éclair initially used the Phoenix Refine stabilise tool and then applied a pass to fix some of the easier problems such as dust and dirt on the frame. They then applied a second pass to remove scratches and following that used the system’s auto fix and paint tools for repair and touch up, removing further imperfections.
Charlotte Quemy, head of Éclair’s digital restoration department, explains, “This was new territory for Éclair as it’s the first restoration project that we’ve completed in 4K. Phoenix provides the starting point for a project like this and straight away we were able to use the system’s automated toolset to remove a number of imperfections. Problems that we couldn’t repair with the paint tool we repaired with the auto fix tool, which is very powerful as it allows us to accurately rebuild parts of the image. Being able to set several defaults on the same image, such as stabilise and scratch, is extremely efficient and significantly speeded up the workflow.”
Christian Lurin, Éclair manufacturing manager, adds, “In my opinion Phoenix played one of the most important roles in this process because our schedule was very tight. We started in January and we had to deliver the film for Cannes in May. It was extremely well received in Cannes and was shown in front of a panel of restoration specialists. Image Systems’ restoration technology played a big part in that success.”
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For over a century, Eclair has accompanied the different evolutions in cinematography. With the cinema industry as its core business, Eclair has always combined know-how and modernity. Although techniques have evolved over the years, the Group’s philosophy remains the same: to propose a global offer. An offer which today combines digital and photochemical technology with the primary objectives of controlling costs and guaranteeing complete comfort for creative teams.
About Image Systems
Image Systems Media Unit, formerly Digital Vision, is a division of Image Systems AB, which specializes in high-resolution image processing, film scanning and motion analysis solutions. Headquartered in Stockholm, Sweden, Image Systems has offices in Linköping, London, Los Angeles and Hong Kong. The company has three business units: Media, Defense and Motion, managed via a global network of qualified distributors. Its Nucoda and Phoenix image grading and restoration software solutions and Golden Eye range of scanners provide innovative tools to create and master media in HD, 2K/4K and stereoscopic 3D. The TEMA software platform provides a range of user friendly, high-speed motion analysis solutions for the automotive industry and other industrial test and design applications. The TrackEye software and Golden Eye scanners provide image analysis solutions for the military reconnaissance and testing markets. For additional information, visit
All trademarks used herein, whether recognized or not, are the properties of their respective companies.
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