Radley Remakes the Globe for Discovery

Author:
Publish date:

Visit Radley

View Media

After repeatedly delivering the wonders of the world to the comfort of the living room for Discovery, Radley has launched its most ambitious collaboration yet: a complete rebrand of the network. The agency handled all design, animation, sound and production for seven on-air 3D packages totaling more than 400 deliverables: vibrant graphic explosions centered upon an ever-changing globe careening through snakes, sharks, ice, flames, hails of bullets, and other unreal elements of the constantly changing world at the heart of Discovery’s identity.

“Our goal with this rebrand was to pursue ideas that were explosive,” states Radley Executive Creative Director Kurt Spenser. “Iconic Brands like Discovery have been successful for so long that they have become a gathering force. The challenge is to throw gasoline on that campfire, not just move the existing warm glow to another campsite. If the concept doesn’t scare and excite you immediately, you keep going until you spark those feelings – that was the creative philosophy at the heart of Radley and Discovery’s work.”

“Radley brought incredible freshness, energy and the overall creative drive we were searching for in the Discovery Rebrand 2013,” states Discovery SVP of Marketing Lara Richardson. “It was an absolute pleasure working with a group who brings such dedication and vision to their work. Their collaboration with our internal teams was nothing short of stellar. Thank you, Radley, for a job well done.”

The packages, designed with a combination of Cinema 4D, Adobe Creative Suite and edited in Final Cut Pro, achieve the rare feat of being at once visually complex and easy to use. “During the design process, we had to work very hard to create a system that leveraged complex 3D work in a package that any producer or editor could intuitively use with minimal render times on the back end.” notes Radley Creative Director, Design Antonio Cicarelli. “The client had no trouble implementing the packages and was very happy with not only the look but also the ease of use.”

With campaigns for Discovery favorites Deadliest Catch, American Chopper, Gold Rush and many more to its credit, Radley entered the brand redesign with an intimate familiarity with the network’s particular brand, programming and audience. This deep understanding resonated with Discovery during the project’s pitch process, which the network opened to many competing agencies. “We live and love this brand,” states Spenser. “With Discovery’s endorsement we were able to trust our gut and create without fear.”

Radley collaborated closely with Discovery’s internal creative team from the outset, working off of the network’s carefully considered brief, a document built upon ample research. After much collaboration, Radley nailed the on-air packages while Discovery’s team took the lead on the print, Web and merchandising elements, all working off the same core design package including logo, color, font and genre toolkits. “The final creative was a hybrid of a great concept from the internal agency and the visual attitude from our pitch materials,” says Spenser. “The internal team was incredibly collaborative and entrusted us with the execution of some of their most cherished ideas. That’s a great honor and great responsibility.”

For all their creative firepower, it is the well-oiled process at the heart of Radley’s operations that continually drives ambitious projects such as the Discovery rebranding. “We bring a deep well of experience and a broad understanding of the entire creative process to the table,” explains Radley COO Christian Thompson. “We have a world-class creative team that expertly executes the client’s vision, along with a system that keeps the creative at the highest level while still meeting delivery and deadlines.”

Credits:

Client: Discovery Channel
Project: Discovery Network Rebrand

Production Company: Radley
Creative Directors: Antonio Cicarelli, Kurt Spenser
Writers: Josh Friedman, Greg Neal, Charlie Short
Producers: Dara Barton, Christian Thompson, Brandon Pleus
Production Manager: Maggie Robinson
Artists: Christian Brown, Clayton Anderson, Josh Novak, Wes Tanaka, David Perry, Myung Yu, Orlando Costa, Marcos Vaz, Kevin Vaisman, Kate O’Brien, Eric Del Greco, Jess Nordquist, Drake Chandler, Earl Jenshus, Eugene Seo, Maz Majd, Jim Mc Daniels, Matt Magnus, Patricio Mota, Stephen Schuster, Lindsay Daniels

Editors: Josh Morrisroe, Patrick Fogarty, Stacey Aukland, John Mc Nally, Bryan Keith

Audio Company: Dynamite Laser Beam
Audio: Greg Ripes

About Radley:

Radley is a full-service integrated content and marketing company based in Los Angeles, CA. Built on the promise of creating and delivering premium content across all platforms, Radley Studios believes that great storytelling provides solid ground to defy convention, whether in :30 second bursts or 90 minute rides. Through disruptive technology and passionate creative, Radley Studios is committed to delivering a client’s vision in the most engaging way. With an executive team that has directed and produced award-winning commercial and advertising campaigns, written and produced network dramas and feature films, and launched branded entertainment across all platforms, the team at Radley Studios have gathered together to play a key role in what’s next for the brands, people and stories we all believe in.

Related

More than 55 of the 2018 Fall Television and Streaming Series Rely on Blackmagic Design

More than 55 of the 2018 Fall Television and Streaming Series Rely on Blackmagic Design

Blackmagic Design today announced that the company’s production and post products were used to complete many of the fall 2018 season’s new and returning television shows and streaming series. More than 55 shows rely on Blackmagic Design’s digital film cameras; Fusion visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve editing, color correction, VFX and digital audio software; as well as its switchers, routers, monitors and capture and playback devices.

Luxul_AMS-1208P

Jingle All the Way: Luxul's XMS-1208P Managed Gigabit Switch is Available for All CI Integrators this Holiday Season

Luxul, the leading innovator of IP networking solutions for AV integrators, today announced that it's giving CI integrators the gift of enterprise-level performance at affordable price points this holiday season. It doesn't matter if they've been naughty or nice, the company's XMS-1208P 12-port/18 PoE+ managed Gigabit switch — that delivers high-speed performance while enabling simple network expansion — is now available for all. And to ring in the new year, Luxul will begin shipping its AMS-1816P 18-port/16 PoE+ L2/L3 managed Gigabit switch in early January.

HoverCam_VV1

HoverCam Transforms Classrooms Fit for Future-Ready Students at Val Verde USD

HoverCam, an innovative technology leader in the digital education market, announced that Val Verde Unified School District (USD) in Parris, California, successfully installed HoverCam's Pilot digital teaching stations and CenterStage interactive flat panels (IFPs) in new STEM labs in the elementary schools, with plans for an eventual rollout to the district's middle and high schools. As part of the district's goal to create future-ready students, Val Verde USD chose HoverCam digital education solutions to address the rising challenge of updating classrooms and introducing curriculum with advanced systems that will prepare students for a rapidly changing career landscape.

ScreenShot2018-12-11at2.41.29PM.144822

The Sigma Holiday Sale Is Back!

Nothing makes gift giving as enjoyable as special prices on award-winning Sigma lenses and accessories; get the lens you’ve always craved or surprise a fellow shooter with the perfect present.

Riedel-Ruptly-Vans-3

Global News Agency Ruptly Relies on Riedel's MediorNet and Artist on Board New OB and DSNG Vehicles

Riedel's MediorNet real-time media network and Artist digital matrix intercom are providing the decentralized and redundant signal routing and communications backbone on board two all-new, state-of-the-art OB vehicles for Ruptly, a Berlin-based international news agency. Qvest Media, a world-leading system architect and integrator for the broadcast and media industries, designed and built the new broadcast van and DSNG vehicle.