Night and the City: “21 Bridges” With Sony’s VENICE (the Why and the How)
“This was now going beyond the step of just emulating film or trying to get as good as film to where I actually now...
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“This was now going beyond the step of just emulating film or trying to get as good as film to where I actually now...
"I wanted to change the usual perception of background, looking for something that was more textured, closer to paintings," says director of photography Philippe...
The newest Marvel-Netflix iteration, 'Marvel's The Defenders,' brings Daredevil, Jessica Jones, Luke Cage and Iron Fist together to fight an evil greater than they've...
In the below video, AbelCine’s Andy Shipsides speaks to Zeiss’s Snehal Patel about Zeiss’s new Compact Prime 3 and Compact Prime 3 XD lenses....
Zeiss has introduced 10 new CP.3 Compact Prime Lenses. Explains Film and Digital Times , “ Imagine a series of lenses you can customize....
In the below video from Visual Impact, Luke from Zeiss explains their Milvus, Otus, Touit, Loxia and CP.2 families of lenses and the applications of...
Band Pro presents a free, in-depth Zeiss workshop with cinematographer Christian Sebaldt (CSI:, Rush Hour, Feardotcom, Resident Evil: Apocalypse) who will share his experiences...
Zeiss has announced the new LWZ.3 21-100mm/T2.9-3.9 T lightweight zoom lens. Says Christophe Casenave, Product Manager at Zeiss Camera Lenses, “Going from 21 to 100mm,...
My team from Onyx Cinema (@onyxcinema) and I recently tested Zeiss Milvus and Otus lenses to see how well they worked with our new Sony...
Sponsored Content Presented by Zeiss The new ZEISS Lens Gear Rings, available in four sizes, turn camera lenses into movie lenses in a flash....
Tom Fletcher and Al Collins have put together a zoom lens comparison chart, looking at stats from 34 lenses from Angenieux, ARRI, Canon, Cooke,...
Is the new film from Canadian director Jean-Marc Vallée a study in grief, or in pathology? The unusual script by Bryan Sipe combines with...
“In order to be able to smoothly adjust the aperture, you had to send the lenses to specialists, who would then reconstruct them.” Aside...
The people at 4KShooters offer a summary and a bit of analysis of this Sony seminar on 35mm Optics for Cinéma Vérité Style Production.
Imagine you are looking through the viewfinder in a modern-day camera. That’s how you know where to point your lens. What if the lens...
"We tested a lot of cameras and saw how hair and makeup and the locations looked. Everything pointed us back to the Alexa Plus,"...