How “Run” Streamlined (Remote) Reviews and Approvals
Enables remote viewing of color and VFX sessions
Technicolor Uses Baselight to Create Light and Shade for “His Dark Materials”
One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor...
Think Small: Alexander Payne and Kevin Tent Reteam for ‘Downsizing’
The bond between a film director and editor is often an enduring one.
Visual Inventions on the Final Season of ‘Orphan Black’
After five thrilling seasons, BBC's hit sci-fi series "Orphan Black" is winding down to what fans expect will be a gripping conclusion.
Technicolor’s Peter Doyle Offers Insight on How HDR Brings New Creative Options for Moviemakers
"HDR enables us to retain the creative intent—the design of a shot—but to bring a more visceral aspect to the experience," says the colorist...
HDR Color Grading Keeps the Edge for ‘T2 Trainspotting’
Danny Boyle returns to the dark comedy that put him on the map with T2 Trainspotting, the sequel that reunites him with his breakout cast...
Jigsaw and Technicolor PostWorks Team for ‘Sinatra’
For postproduction on filmmaker Alex Gibney’s HBO documentary Technicolor PostWorks New York collaborated with Gibney’s production team and editors from Jigsaw New York.