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In the below video, Gabriel Antunes cuts together interviews from master directors ranging from Quentin Tarantino to Terry Gilliam to Federico Fellini to Orson...
This supercut from editor Candice Drouet celebrates the art of the tracking shot by featuring moving shots from films like The Shining, Juno, Little...
No Film School counts down their top 10 picks for best cinematography of the year, including feature films like Moonlight and The Neon Demon,...
Film School Rejects‘s H. Perry Horton counts down his 10 favorite video essays of the year, from supercuts celebrating the works of auteurs like...
Editor David Ehrlich counts down his personal favorite films of 2016 (combining cinematic features, television documentaries and, even, a visual concept album), with this...
In the below supercut, editor Yoann Casals examines the power of silence in Steven Soderbergh’s Ocean’s Eleven. Casals intercuts moments from the blockbuster action...
The below supercut from Fandor‘s Jacob T. Swinney examines several famous examples of the bird’s-eye shot in cinema and also details the emotions that each...
In the below supercut, editor Celia Gómez provides a series of scenes from different movies that use the match cut to great effect. As...
Rishi Kaneria presents a mesmerizing supercut of how virtual reality has been presented in sci-fi films throughout the years, with the added technique of...
The below supercut from Rishi Kaneria examines 28 different creative cuts from Stranger Things, with a lot specifically focusing on audio cues. In many...
The below supercut from Celia Gómez looks at the symmetrical framing that gives the BBC’s Sherlock its unique look. Watch below. SHERLOCK: The Art...
In the below supercut, Alex Kalogeropoulos examines director Nicolas Winding Refn’s very pronounced use of color in films like Drive, Only God Forgives, The...
Fandor‘s Jacob T. Swinney celebrates the work of 12 amazing female cinematographers in the video found below while also exploring why they don’t seem to...
The below supercut from Vugar Efendi cuts together some of Terrence Malick’s shots focusing on nature, featuring scenes from films like The Tree of...
In the below supercut, Vugar Efendi gorgeously juxtaposes frames from films that have been directly influenced by famous paintings, including scenes from Psycho, Inherent Vice,...
In the below supercut, Dante Guerilla compares the signature visuals of Wes Anderson and Stanley Kubrick, two auteurs who certainly know how to work...
Fandor’s Conor Bateman breaks down the 11 different types of critical video essays, from supercuts to shot analysis to more. He writes, “When you think...
In the below video, Every Frame a Painting’s Tony Zhou breaks down the instincts and thought processes that great editors have. Zhou uses interviews from...
Jacob T. Swinney goes through 100 years of cinema by selecting just one shot per year in his fascinating video “100 Years/100 Shots.” “While many of...
Vimeo user Roman Holiday’s supercut “Lone Figures” compiles a bevy of shots showcasing a lone figure against a vast landscape. Movies used include 127...
The below supercut from Vugar Efendi explores how the use of space in Spike Jonze’s film Her conveys the sense of main character Theodore’s...
Nature often takes front and center in a Terrence Malick film, even as he seems to be dissecting human foibles. And this video essay...
The below supercut from Zackery Ramos-Taylor dissects the prevalent use of split-screen in Fargo‘s second season. “Throughout the show’s second season, Fargo utilized the split...
A great video essay is an artform unto itself, illuminating the tricks and tips that make great filmmakers great. PremiumBeat counts down the top...
