This Supercut of Advice to Young Filmmakers from Master Directors Is Sure to Inspire
In the below video, Gabriel Antunes cuts together interviews from master directors ranging from Quentin Tarantino to Terry Gilliam to Federico Fellini to Orson...
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In the below video, Gabriel Antunes cuts together interviews from master directors ranging from Quentin Tarantino to Terry Gilliam to Federico Fellini to Orson...
This supercut from editor Candice Drouet celebrates the art of the tracking shot by featuring moving shots from films like The Shining, Juno, Little...
No Film School counts down their top 10 picks for best cinematography of the year, including feature films like Moonlight and The Neon Demon,...
Film School Rejects‘s H. Perry Horton counts down his 10 favorite video essays of the year, from supercuts celebrating the works of auteurs like...
Editor David Ehrlich counts down his personal favorite films of 2016 (combining cinematic features, television documentaries and, even, a visual concept album), with this...
In the below supercut, editor Yoann Casals examines the power of silence in Steven Soderbergh’s Ocean’s Eleven. Casals intercuts moments from the blockbuster action...
The below supercut from Fandor‘s Jacob T. Swinney examines several famous examples of the bird’s-eye shot in cinema and also details the emotions that each...
In the below supercut, editor Celia Gómez provides a series of scenes from different movies that use the match cut to great effect. As...
Rishi Kaneria presents a mesmerizing supercut of how virtual reality has been presented in sci-fi films throughout the years, with the added technique of...
The below supercut from Rishi Kaneria examines 28 different creative cuts from Stranger Things, with a lot specifically focusing on audio cues. In many...
The below supercut from Celia Gómez looks at the symmetrical framing that gives the BBC’s Sherlock its unique look. Watch below. SHERLOCK: The Art...
In the below supercut, Alex Kalogeropoulos examines director Nicolas Winding Refn’s very pronounced use of color in films like Drive, Only God Forgives, The...
Fandor‘s Jacob T. Swinney celebrates the work of 12 amazing female cinematographers in the video found below while also exploring why they don’t seem to...
The below supercut from Vugar Efendi cuts together some of Terrence Malick’s shots focusing on nature, featuring scenes from films like The Tree of...
In the below supercut, Vugar Efendi gorgeously juxtaposes frames from films that have been directly influenced by famous paintings, including scenes from Psycho, Inherent Vice,...
In the below supercut, Dante Guerilla compares the signature visuals of Wes Anderson and Stanley Kubrick, two auteurs who certainly know how to work...
Fandor’s Conor Bateman breaks down the 11 different types of critical video essays, from supercuts to shot analysis to more. He writes, “When you think...
In the below video, Every Frame a Painting’s Tony Zhou breaks down the instincts and thought processes that great editors have. Zhou uses interviews from...
Jacob T. Swinney goes through 100 years of cinema by selecting just one shot per year in his fascinating video “100 Years/100 Shots.” “While many of...
Vimeo user Roman Holiday’s supercut “Lone Figures” compiles a bevy of shots showcasing a lone figure against a vast landscape. Movies used include 127...
The below supercut from Vugar Efendi explores how the use of space in Spike Jonze’s film Her conveys the sense of main character Theodore’s...
Nature often takes front and center in a Terrence Malick film, even as he seems to be dissecting human foibles. And this video essay...
The below supercut from Zackery Ramos-Taylor dissects the prevalent use of split-screen in Fargo‘s second season. “Throughout the show’s second season, Fargo utilized the split...
A great video essay is an artform unto itself, illuminating the tricks and tips that make great filmmakers great. PremiumBeat counts down the top...
Rolling Stone writer David Ehrlich counts down his 25 favorite films of the year with this brilliantly edited supercut that expertly weaves together the...
Editor Pixels & Frequencies watched 400 films to create his mash-up of “Warm and Cold” which juxtaposes extreme warm and cool palettes next to...
Roger Okamoto edits together this supercut of the work of Prisoners and Sicario director Denis Villeneuve, who has been tapped to helm the Blade...
This supercut from Miguel Branco focuses on the work of Spike Jonze with clips from Her, Being John Malkovich, Where the Wild Things Are,...
Matt Anderson’s “Brick: Up Close” is a supercut of all the tight shots from Rian Johnson’s breakout 2005 neo-noir film, Brick. Watch below.
Enjoy this supecut of dream sequences from films as disparate as American Beauty, Aliens, The Wizard of Oz, Inception and more. It was edited...
Master of supercuts Jacob T. Swinney juxtaposes the first and final frames of 55 films–including No Country for Old Men, Gone Girl, Her, Birdman,...
Nostalgic for a simpler time of “Charlie Bit My Finger” and David After Dentist?” This YouTube supercut from The Daily Conversation celebrates the video...
The below supercut focuses on the sounds of the films of Quentin Tarantino which feature everything from multiple instances of gushing blood and drawn...
This supercut, aptly titled “Sofia Coppola’s Dreamscapes,” focuses on the moody, pensive visuals that tie together the director’s films–ranging from Lost in Translation to...
This supercut of the work of Alejandro González Iñárritu from Steven Thomas focuses on the themes that bind together the work of the acclaimed...
An astounding 300 films were edited into this mother of all supercuts by GameOvais Prouctions. See how many of the films you can recognize…and...
Shaun Higgins’ video supercut of the work of Jonathan Glazer pays particular attention to how Glazer uses the human face to convey a myriad...
The below supercut from Jacob T. Swinney features some of the best cinematography of 2014, with clips from Birdman, The Grand Budapest Hotel, Wild,...
Watch a quick supercut from Rishi Kaneria dedicated to Stanley Kubrick’s use of the color red.
In the below supercut, editor Jacob T. Swinney showcases over 50 examples of one of J.J. Abrams’ (and many other directors’) favorite techniques: the...
The below supercut from Alexandre Gassula takes key moments from the works of Martin Scorsese to illustrate the master filmmaker’s unique, lauded style. Watch...
The below supercut from Jim Casey shows the evolution of chase scenes in movies featuring clips ranging from The Love Bug to The Dark...