“1917:” How Sam Mendes and Roger Deakins Made Their “One-Shot” War Epic
Delivering a visceral, uninterrupted cinematic experience, the legendary cinematographer breaks new ground in Mendes’ World War I feature.
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Delivering a visceral, uninterrupted cinematic experience, the legendary cinematographer breaks new ground in Mendes’ World War I feature.
Company 3, a Deluxe Creative Services company, completed post-production work on the new James Bond feature, Spectre, the 24th James Bond feature and the...
Rushes spent 13 months creating all of the UI screen graphics found in James Bond film Spectre. The completed motion graphics work clocked in...
Few films come with the amount of expectations attached to a title sequence as a James Bond film. The latest in the franchise, Spectre,...
Spectre director Sam Mendes talks to The Film Book about his decision to shoot the latest Bond film on 35mm film whereas he shot...
Spectre sound editors Per Hallberg and Karen Baker Landers talk to NPR’s All Things Considered about their work on the latest Bond film. which–naturally–featured...
The latest James Bond film Spectre opens with a seemingly continous four-minute take that starts off by showing a Day of the Dead parade...
New James Bond film Spectre was the first feature-length film to get its own 24-hour Snapchat channel this weekend, replete with photos and cast...