Into the Dark (But Not Completely): Cinematography on Season 3 of “Ozark”
“You know those joyful scenes in a thriller or horror movie, right before the hammer comes down, that trick the audience? Well, ‘Ozark’ is...
“Atlanta’s Missing and Murdered:” How to Make a Crime Documentary That’s More Than a Crime Documentary
Through many interviews and a trove of archival materials, the HBO series focuses on these murders, the victims and those they left behind.
Agency GSD&M and Production Company Scholar Aim for the Stars in Future-Forward Space Force Recruitment Campaign
AUSTIN, Texas and LOS ANGELES – (June 10, 2020) – On May 6, in Arlington, Virginia, the leaders of the U.S. Space Force unveiled...
Sony’s Venice and FX9 Updates/Upgrades: Firmware, HFR, 4K Recording
“Our industry is seeing rapid evolution as the need to develop content for cross-platform distribution has transformed both the creative process and post-production workflows.”
Once Upon a Time in “Hollywood:” The Lights, Camera(s) and Action for the Netflix Series
“Ryan wanted the obvious glitz and glamour but also to pull back the gilded curtain of Hollywood and expose the darker side of sex...
Watch the Experts Put Sony’s Full Frame FX9 To the Test
Building on the success of the Sony FX7, the Sony PXW-FX9 delivers a lower-end camera with a 17:9 full frame sensor.
Night and the City: “21 Bridges” With Sony’s VENICE (the Why and the How)
“This was now going beyond the step of just emulating film or trying to get as good as film to where I actually now...
“Top Gun: Maverick” Puts Six Sony VENICE Cameras Inside a Cockpit (Y.M.Cinema)
Sony VENICE's modular design, full frame aspect ratio of 1:5:1, and IMAX certification made it the camera of choice.
‘Maverick’ Places Six Sony VENICE Cameras Inside a Fighter Jet Cockpit (Y.M.Cinema)
Sony VENICE's modular design, full frame aspect ratio, and IMAX certification made it the camera of choice for "Top Gun: Maverick."
FUJINON PREMISTA LARGE FORMAT CINEMA ZOOMS MAKE CINEMATIC DEBUT AT CINE GEAR EXPO
Rhinestone Blue, a short film with cinematography by Tobias Schliessler, ASC, will premiere at Cine Gear Expo June 1, 2019. The film, directed by...