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As Noah Baumbach’s longtime editor, Jennifer Lame started working on the Netflix feature well before principal photography, spending hours with the director breaking down...
Shot on outdated 35mm film stock using the Panavision Millennium XL2, augmented with vintage Baltar lenses, cinematographer Jarin Blaschke crafts a moody, jagged black-and-white...
Panavision and its family of companies return to the EnergaCamerimage International Film Festival from November 9-16 in Torun, Poland, with an immersive, end-to-end experience...
Frame.io recruits Michael Cioni to help lead the next wave of film-tech innovation, starting with the development of breakthrough camera-to-cutting room technology.
Light Iron, a Panavision company, is excited to announce that award-winning colorist Scott Klein is joining the company. As supervising colorist of numerous groundbreaking...
Panavision, the world-class provider of end-to-end solutions, will return to Cine Gear Expo (May 31-June 1) at The Studios at Paramount to showcase the...
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season.
Light Iron, a Panavision company, has announced Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist.
Panavision, the world-class provider of end-to-end solutions that power the creative vision of filmmakers, will return to BSC Expo (Feb. 1-2) with a demonstration...
As entertainment industry luminaries prepare to swarm Park City for the Sundance Film Festival, Panavision and Light Iron (Panavision’s post production subsidiary) are proud...
Panavision, a world-class provider of state-of-the art optics, camera systems, lighting, filters, and post production services, will showcase an array of advancements in optics...
Panavision, the entertainment industry’s leading designer, manufacturer and rental provider of high-precision optics and camera systems, has named Zoe Iltsopoulos Borys to lead the...
Panavision, a global leader in optics and camera systems, will explore the beauty of 8K large format in an eye-opening presentation at SXSW on...
"I wanted to change the usual perception of background, looking for something that was more textured, closer to paintings," says director of photography Philippe...
DP Vanja Černjul, ASC, had intended to take a break following a stretch of projects, but after seeing the pilot of HBO's "The Deuce,"...
The newest Marvel-Netflix iteration, 'Marvel's The Defenders,' brings Daredevil, Jessica Jones, Luke Cage and Iron Fist together to fight an evil greater than they've...
Discovery's 'Manhunt: UNABOMBER' tells the true story of the FBI's hunt for Ted Kaczynski, the deadliest serial bomber in United States history.
"Top of the Lake" was the first program produced under the auspices of the UK/Australian company See-Saw Films, which re-teamed with BBC Two for...
The semi-autobiographical HBO series "Crashing" follows stand-up comedian Pete Holmes as he struggles to make it in New York City.
An in-depth discussion with editor Paul Machliss, ACE, about his work on director Edgar Wright's 'Baby Driver.'
Anamorphic lenses, long loved for their cinematic look, have become a predominant choice for television production. AMC’s Fear the Walking Dead is one of...
Shot in 70mm and in the widest possible aspect ratio (2.76 to 1), Quentin Tarantino’s The Hateful Eight owes a lot of its unique...
NewsShooter technical editor Matt Allard offers an indepth look at everything you ever wanted to know about image science but were afraid to ask....
Not only does season two of HBO’s hit noir series True Detective switch to a completely different storyline, but the production went from shooting...
