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Managing the Amazing, Affecting Material for “Da 5 Bloods”
Colorist Stephen Nakamura details how he worked with Spike Lee and cinematographer Tom Sigel across multiple formats, aspect ratios and visual elements.
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Colorist Stephen Nakamura details how he worked with Spike Lee and cinematographer Tom Sigel across multiple formats, aspect ratios and visual elements.
The film uses different aspect ratios and film formats to depict different times and places: 2.39:1 digital for the present-day city scenes, 1.33:1 16mm...
“Only Spike will jump up and celebrate like the Knicks have scored when it’s a great edit.”
A 12-minute-long sequence designed to look like one seamless shot that would include several car chases, pile ups, hand-to-hand combat, running through tenements, leaping,...