Chris Giles Mixes ‘Moonlight’ Audio with Aaton Cantar X3
Production sound mixer Chris Giles is rightly proud to have mixed audio for 'Moonlight,' the winner of the Academy Award for Best Picture in...
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Production sound mixer Chris Giles is rightly proud to have mixed audio for 'Moonlight,' the winner of the Academy Award for Best Picture in...
Moonlight editors Nat Sanders and Joi McMillion will be at the next LACPUG Meet on March 22nd to discuss their work on the Oscar-winning...
Moonlight cinematographer James Laxton speaks to TIME about shooting a movie that strikes the balance between authenticity and dreamy visuals that draw attention to...
CineMontage speaks to the editors of this year’s 5 Oscar-nominated films for Best Editing to get a feel for how they went about cutting...
"Moonlight" co-editor Joi McMillion speaks about cutting Barry Jenkins's film in an effort to "make this movie as beautifully cut as it was shot."
No Film School counts down their top 10 picks for best cinematography of the year, including feature films like Moonlight and The Neon Demon,...
Moonlight DP James Laxton speaks to Filmmaker Magazine about shooting the acclaimed movie with a distinctive saturated looks that enhances the milieu of 1980s Miami....
Cinematographer James Laxton speaks to The Film Stage about his work on "Moonlight."
The below featurette from A24 celebrates the music of Barry Jenkins’s feature film Moonlight, by playing each of the tracks that underlie and inform...
Set against the backdrop of 1980s Miami, "Moonlight" is a lyrical coming-of-age story based on a play by Tarell McCraney.
Barry Jenkins’s latest film Moonlight tells the story of a young African-American boy coming of age in 1980s Miami. It was adapted from Tarell McCraney’s play In...