Update your browser to view this website correctly. Update my browser now
A writer struggles with his work as he reflects on his experiences in the beautiful, impressionistic new spot for Volvo, that also features Josh...
In the below video series from Wolfcrow, Sareesh Sudhakaran explores the signature cinematography styles of greats like Roger Deakins, Vittorio Storaro, Sven Nyvkist, Janusz Kaminski, Gordon...
In the below annual Hollywood Reporter roundtable the cinematographers behind some of the most visually stunning films of the year–Dion Beebe (Into the Woods),...
Matt Workman of Cinematography Database beautifully breaks down Jeff Cronenweth’s stylistic and practical choices as a DP when he shot Taylor Swift’s “Shake It...
David Fincher’s frequent cinematographer Jeff Cronenweth talks to ICG Magazine about his work on Gone Girl, including the differences between lensing that and the...
Cinematographer Jeff Cronenweth and director David Fincher talk to ICG Magazine about their Gone Girl shoot, which was the first feature film to use...
Gone Girl cinematographer Jeff Cronenweth talks to Indiewire about his latest collaboration with director David Fincher, and the fourth film in a row that...
Bryan Abrams of The Credits take a look at how the production design, cinematography, and music all help enhance David Fincher’s twisty psychological thriller,...
"'Gone Girl' is essentially an intricate human chess game," cinematographer Jeff Cronenweth says.
