Shoot
‘The Guilty:’ A One-Room, Real-Time Thriller
"The feeling should be persistent and focused. I especially wanted the cinematography to create a pressure on the main character."
Gustav Möller
Produce
‘The Guilty:’ One Room, Three Angles, a Real-Time Thriller
"The film is confined to a single room and a story told in real time, so the visual limitations of that were also the...