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Freefly speaks to wildlife cameraman and cinematographer Mark MacEwen about his work on BBC’s Planet Earth II and how he incorporates the MoVI, along...
At the beginning of this year, I took on the task of filming a program on chimpanzees in Senegal for the BBC. It will...
After languishing in development limbo for years due to its religiously controversial and stylistically dark subject matter, the Vertigo/DC Comics comic book series Preacher...
When I got called to DP and shoot the new snowboard ad campaign for JBL Audio, I knew that the MōVI M15 was going...
For Barry Sonnenfeld’s “feline comedy” Nine Lives, cinematographer Karl Walter Lindenlaub, ASC, BVK, recalls, “We needed to shoot from the point of view of...
In the new FX series "Baskets," the titular Chip Baskets (Zach Galifianakis) bets his future to enroll in a Parisian clown college in the...
Capturing the elegant, complex martial arts at the heart of new AMC series Into the Badlands wouldn’t have been possible without a 14-camera set-up...
The Helicopter Girls used an ARRI Alexa Mini prototype and a MoVI to capture the majesty of a mountain in Murren, Switzerland. As they...
Sweatpants Media director/DP Jonny Zeller relied on a SmallHD AC7 7-inch field monitor on a recent Toyota commercial. The SmallHD monitor gave the client...
Philip Bloom delves into some of his most challenging shots lensing CNN’s new travel show The Wonder List with his new web series Behind...
While shooting Remand, a mini-documentary directed by Andy Reale about Uganda’s judicial system, cinematographer John Pope toured Uganda’s largest maximum security prison. Employing Freefly’s...
Cinematographer John Pope has traditionally employed Freefly’s MoVI M10 for rugged, high-velocity shooting. Remand, a mini-documentary about Uganda’s judicial system, is by far his...
