Product Reviews
Here’s the News on All the New Cameras
Advances from Sony, Panasonic, RED, Canon, Blackmagic Design, and more
FilmLight Baselight
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Crime Scenes: Evolving the Postproduction Process on ‘Mindhunter’
I recently spoke with Tyler Nelson, one of the four series editors, who was given the opportunity to move from the assistant chair to...
Precise, Perfect Images Define Netflix’s ‘House of Cards’
Netflix was already a globally successful content distributor before "House of Cards," but it may not have become the powerhouse of original content production...
News and Features
‘Billy Lynn’: Grading Life at 120 Frames
Shooting Ang Lee’s experimental 'Billy Lynn’s Long Halftime Walk' was an epic feat. Grading and mastering the film was no less daunting.
News and Features
Café Society DP Vittorio Storario: The First Image Doesn’t Have to Be Perfect, Just the Starting Point
Veteran cinematographer Vittorio Storaro talks about shooting Woody Allen’s latest film, Café Society, in digital after shooting 58 movies on film. “In cinematography the...
News and Features
MPC LA Advances the Cinematic Look of ‘Atlanta’
While in preproduction for the FX series Atlanta, cinematographer Christian Sprenger and director Hiro Murai took advantage of some extra time in the grading...
News and Features
Webinar: Advanced Color Correction with Baselight & Avid, June 15
Technicolor-PostWorks NY presents this exclusive new webinar in which their team discusses their color correction workflow, and demonstrates how Media Composer and the Baselight plug-in...
News
Filmlab Looks to Baselight for Grade on ‘Son of Saul’
At Budapest facility Magyar Filmlabor (Hungarian Filmlab), colorist László Kovács used FilmLight’s Baselight system to enhance the stark atmosphere of the feature film Son...
News and Features
EFILM Delivers Multiple Versions of ‘Deadpool’ Visuals
“We made it more of a gritty looking film than, say, 'Iron Man,'” says colorist Tim Stipan.
News and Features
TV Land’s ‘Younger’ Combines Styles and Stories
The TV Land series Younger centers on Liza Miller, a 40-year-old recent divorcee who poses as a 26 year old to land a job...
News and Features
SKYLAB Designs Color Workflow for ‘Chappie’
The team created a feature finishing architecture that took advantage of FilmLight’s BLG file format, Baselight, and Academy Color Encoding System (ACES) technology.
News and Features
Encore Completes Dailies and Post for ‘Olive Kitteridge’
For the production of the HBO miniseries Olive Kitteridge, directed by Lisa Cholodenko, Encore provided dailies, conform, color and supportive visual effects. Although most...
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