Here’s the News on All the New Cameras
Advances from Sony, Panasonic, RED, Canon, Blackmagic Design, and more
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Advances from Sony, Panasonic, RED, Canon, Blackmagic Design, and more
I recently spoke with Tyler Nelson, one of the four series editors, who was given the opportunity to move from the assistant chair to...
Netflix was already a globally successful content distributor before "House of Cards," but it may not have become the powerhouse of original content production...
Shooting Ang Lee’s experimental 'Billy Lynn’s Long Halftime Walk' was an epic feat. Grading and mastering the film was no less daunting.
Veteran cinematographer Vittorio Storaro talks about shooting Woody Allen’s latest film, Café Society, in digital after shooting 58 movies on film. “In cinematography the...
While in preproduction for the FX series Atlanta, cinematographer Christian Sprenger and director Hiro Murai took advantage of some extra time in the grading...
Technicolor-PostWorks NY presents this exclusive new webinar in which their team discusses their color correction workflow, and demonstrates how Media Composer and the Baselight plug-in...
At Budapest facility Magyar Filmlabor (Hungarian Filmlab), colorist László Kovács used FilmLight’s Baselight system to enhance the stark atmosphere of the feature film Son...
“We made it more of a gritty looking film than, say, 'Iron Man,'” says colorist Tim Stipan.
The TV Land series Younger centers on Liza Miller, a 40-year-old recent divorcee who poses as a 26 year old to land a job...
The team created a feature finishing architecture that took advantage of FilmLight’s BLG file format, Baselight, and Academy Color Encoding System (ACES) technology.
For the production of the HBO miniseries Olive Kitteridge, directed by Lisa Cholodenko, Encore provided dailies, conform, color and supportive visual effects. Although most...