Creative Inspiration
“Relic:” How This Kind of Horror Hits Different
Director Natalie Erika James explains she wanted to use “a multigenerational story to create a character driven, emotionally resonant horror.”
Dan Meier
How To
Into the Dark (But Not Completely): Cinematography on Season 3 of “Ozark”
“You know those joyful scenes in a thriller or horror movie, right before the hammer comes down, that trick the audience? Well, ‘Ozark’ is...
Creative Inspiration
“Hamilton:” Getting It From the Stage to the Screen to the Stream
“ knew exactly what to do,” says “Hamilton” director Thomas Kail. “My job was to not get in the way of that.”
Creative Inspiration
“Tales from the Loop:” Making These Fantasies a Reality
“We didn’t know at the end of all of this whether or not there would be a place that would embrace the kind of...
Creative Inspiration
Making the Gorgeous Creep-Out That is “Shirley”
“When you’re in a Shirley Jackson story you sort of descend from a reality into a dream and you sort of don’t know when...
How To
A Day in the Life: “The Assistant” and How to Skillfully Tell a Terrible Story
“Condensing the action of one day in the life of someone at the lowest rung of the power hierarchy into an hour-and-a-half cinematic experience...
Creative Inspiration
True Detective: How “Home Before Dark” Is Something That Hasn’t Really Been Made Before
“It just felt like an amazing challenge, to make this world about a young woman that needs to be taken seriously."
Close