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Cinematographer Denson Baker, NZCS ACS, chose Cooke Anamorphic lenses to recreate the universe portrayed in the long-anticipated TV adaptation of Eleanor Catton’s Man Booker prize-winning...
June 04, 2020 — DP Sam McCurdy, BSC chose Cooke 5/i lenses to shoot the second season of Lost In Space, the popular Netflix...
“The original series was set in Victorian gothic London, while City of Angels is set in 1938 Los Angeles — a very different look....
When cinematographer Scott Peck first learned that Stargirl was going to become a series on the DC Universe streaming service, he started doing a...
Cinematographer Toby Oliver, ACS, enhances photography with the "Cooke Look" on season two of Netflix's "Dead to Me," launched on Friday, May 8, 2020
“The story takes place on a vibrant estate with colorful characters, and the look reflects that reality. It’s beautifully saturated, but we tried to...
“The 5/i’s really are an integral part of developing the look of ‘Insecure,’ they are so specifically ingrained in the DNA or the personality...
Want to learn from some of your favorite cinematographers about some of your favorite projects?
Read more: Cooke Optics S7/i Prime Lenses Helps Resurrect Netflix’s Top Boy With Third Season and 10 Episodes
Cooke Optics announced today details of the latest available lenses in its S7/i and Anamorphic/i Full Frame Plus ranges. Cooke continues to grow their...
Cooke Anamorphic/i lenses have personality, they have charm, and they also are technically very, very good
Cooke Optics Anamorphic/i SF lenses gives remake of Pinocchio the Cooke look
“Chernobyl” cinematographer Jakob Ihre discusses the look of the acclaimed HBO series
Season 3 of Netflix series, GLOW, continues with a new look in a new location
Wes Anderson’s longtime cinematographer and collaborator Robert Yeoman discusses the critical visual elements of their films in this interview from Cooke Optics:
DP Philip Lanyon goes for a different look for follow-up series to Star Trek: The Next Generation while remaining true to the TV and...
When the original two mini-series of Top Boy ended on the UK’s Channel 4 in 2013, few people thought the critically-acclaimed drama about two...
BBC's new landmark wildlife series, Seven Worlds, One Planet, documents the unique wildlife to be found across all seven continents. The series, which began...
New operation will boast full lens servicing and testing on the West Coast
Cinematographer Si Bell and Director Anthony Byrne move crime drama series to a more cinematic look and feel For four seasons, Thomas Shelby, his...
Company to highlight Full Frame Plus and modern Panchro prime lenses At the 27th Edition of the International Film Festival of the Art of...
Stefan Duscio, DP, lenses J.D. Dillard’s independent thriller in the Fiji Islands
Cinematographer Jean-François Hensgens’ lens selection based on creating visual poetry for the series
Selecting Cooke Anamorphic/i lenses was a choice director Nicholas Schrunk and I made early that really paid off in helping to bring 'Blood Road'...