DP Sam McCurdy, BSC, opts for filmic quality with Cooke 5/i Lenses for Season 2 of Netflix’s Lost in Space
June 04, 2020 — DP Sam McCurdy, BSC chose Cooke 5/i lenses to shoot the second season of Lost In Space, the popular Netflix...
Showtime’s “Penny Dreadful: City of Angels” Shot With Cooke S4/i Primes
“The original series was set in Victorian gothic London, while City of Angels is set in 1938 Los Angeles — a very different look....
Cooke Optics’ Anamorphic/i Standard and Special Flair Prime Lenses Help Bring DC Universe’s Stargirl to Life
When cinematographer Scott Peck first learned that Stargirl was going to become a series on the DC Universe streaming service, he started doing a...
Netflix’s “Dead to Me” Ups Its Game for Season Two with Cooke Optics S7/i Full Frame Plus Prime Lenses
Cinematographer Toby Oliver, ACS, enhances photography with the "Cooke Look" on season two of Netflix's "Dead to Me," launched on Friday, May 8, 2020
Cinematographer David Pimm Builds on the Look of “Save Me” Series to Capture Naturalism and Control Light
“The story takes place on a vibrant estate with colorful characters, and the look reflects that reality. It’s beautifully saturated, but we tried to...
Cooke 5/i Lenses Help Define the Cinematic Look of HBO’s “Insecure”
“The 5/i’s really are an integral part of developing the look of ‘Insecure,’ they are so specifically ingrained in the DNA or the personality...
Watch This Cinematography Master Class Series from Cooke Optics
Want to learn from some of your favorite cinematographers about some of your favorite projects?
“Top Boy” Cinematographer Rina Yang on the Unmistakable Series Style
Read more: Cooke Optics S7/i Prime Lenses Helps Resurrect Netflix’s Top Boy With Third Season and 10 Episodes
Cooke Optics announces new focal lengths for S7/i and Anamorphic/i Full Frame Plus ranges
Cooke Optics announced today details of the latest available lenses in its S7/i and Anamorphic/i Full Frame Plus ranges. Cooke continues to grow their...
Cooke Optics Helps Update “Dark Crystal” for Netflix
Cooke Anamorphic/i lenses have personality, they have charm, and they also are technically very, very good
Cooke Anamorphic/i SF Lenses Bring Beauty to a Dark Retelling of “Pinocchio”
Cooke Optics Anamorphic/i SF lenses gives remake of Pinocchio the Cooke look
“Chernobyl” Cinematographer Jakob Ihre Talks Lighting an “Invisible Monster” and More on the Look of the Show
“Chernobyl” cinematographer Jakob Ihre discusses the look of the acclaimed HBO series
GLOW Brings Their Show to Las Vegas with Cooke Anamorphic/i Prime and Zoom Lenses
Season 3 of Netflix series, GLOW, continues with a new look in a new location
Watch: Cinematographer Robert Yeoman, ASC on the Visual Grammar of Film
Wes Anderson’s longtime cinematographer and collaborator Robert Yeoman discusses the critical visual elements of their films in this interview from Cooke Optics:
Cooke Optics Anamorphic/i Special Flair Lenses Bring Big Screen Epic Saga Feel to “Star Trek: Picard”
DP Philip Lanyon goes for a different look for follow-up series to Star Trek: The Next Generation while remaining true to the TV and...
Cooke Optics S7/i Prime Lenses Helps Resurrect Netflix’s Top Boy With Third Season and 10 Episodes
When the original two mini-series of Top Boy ended on the UK’s Channel 4 in 2013, few people thought the critically-acclaimed drama about two...
Cooke miniS4/i Lenses Capture Unique Wildlife Footage for Seven Worlds, One Planet
BBC's new landmark wildlife series, Seven Worlds, One Planet, documents the unique wildlife to be found across all seven continents. The series, which began...
Cooke Optics Opens LA Service Operation for Increased Customer Support in Key Market
New operation will boast full lens servicing and testing on the West Coast
Cooke Optics Brings BAFTA award-winner Peaky Blinders Season 5 into the World of Anamorphic and 4K
Cinematographer Si Bell and Director Anthony Byrne move crime drama series to a more cinematic look and feel For four seasons, Thomas Shelby, his...
Cooke Optics to Show The Best in Cinematography Lenses at EnergaCAMERIMAGE 2019
Company to highlight Full Frame Plus and modern Panchro prime lenses At the 27th Edition of the International Film Festival of the Art of...
Shooting the Natural Beauty and Horror of Sweetheart with Cooke S4/i Primes
Stefan Duscio, DP, lenses J.D. Dillard’s independent thriller in the Fiji Islands
Netflix’s French-Language Original Series Osmosis Shot with Cooke S7/i
Cinematographer Jean-François Hensgens’ lens selection based on creating visual poetry for the series