Managing the Amazing, Affecting Material for “Da 5 Bloods”
Colorist Stephen Nakamura details how he worked with Spike Lee and cinematographer Tom Sigel across multiple formats, aspect ratios and visual elements.
Update your browser to view this website correctly. Update my browser now
Colorist Stephen Nakamura details how he worked with Spike Lee and cinematographer Tom Sigel across multiple formats, aspect ratios and visual elements.
“You know those joyful scenes in a thriller or horror movie, right before the hammer comes down, that trick the audience? Well, ‘Ozark’ is...
Learn about the end-to-end content creation workflow for HDR content and guidelines for success
Company 3 colorist Siggy Ferstl spent a whole year refining a specific look for the Disney+ period piece.
Content is already being shot, posted and displayed at 8K and many facets of the industry—acquisition, post, delivery—are gearing up
“The 5/i’s really are an integral part of developing the look of ‘Insecure,’ they are so specifically ingrained in the DNA or the personality...
“This was now going beyond the step of just emulating film or trying to get as good as film to where I actually now...
Project marks first deployment of innovative VFX editorial workflow web service for a TV series Los Angeles, CA– June 20, 2017 – STARZ’s original...
This strategic acquisition expands editorial, VFX and mobile dailies services
When color grading Paper Towns, director Jake Schreier wanted the visual feel of the coming-of-age film about a mysterious girl’s disappearance to walk the...
Film Directed by Vrse.works’ Imraan Ismail & Ben Solomon, Available to Over 1 Million NYT Subscribers The New York Times is taking its first...
“The were very concerned with preserving the unique tone of the film in the grade,” colorist Sofie Borup explains.
The Netflix series Narcos takes an unflinching look at Colombian drug kingpin Pablo Escobar (Wagner Moura) the formidable empire he ruled in the late...
Company 3, a Deluxe Creative Services company, completed post-production work on the new James Bond feature, Spectre, the 24th James Bond feature and the...
'Suburbicon' combines an unproduced Coen Brothers screenplay with the story of an African-American couple moving to Levittown, Pa., in the summer of 1957.
"In the Dolby Cinema version, we were able to take advantage of that very high contrast range that lets you have a scene that...
"The subject matter and imagery is abstract and the grade goes along with it."
In an episode of Digital Production Buzz’s podcast, Company 3 senior colorist Stephen Nakamura ( Oz, The Great and Powerful, Prometheus, Zero Dark Thirty )...
Nobody embodied the wild excesses of the Jazz Age more than Zelda Fitzgerald, whose flamboyant highs and desperate lows mirrored the turbulence of post-World...
“Filmmakers expect much more from color grading sessions than they did not so long ago,” says Siggy Ferstl.
When it comes to quirky movies, Swiss Army Man stands alone. Read our full story here.
Unique workflow automatically formats, distributes media and metadata to multiple VFX houses at previously impossible speeds
" wanted an image that was definitely colorful but not oversaturated. In fact, we pulled back on the saturation of some of the reds...
"We wanted to be, and to look, authentic, and to have that feel, which is really hard to get in a studio," says...
The #SonyProLive web series kicks off Thursday, September 10th. Planned guests include Rob Hardy, Director of Photography for Ex Machinaand Stephen Nakamura, Senior Colorist...
When colorist Sean Coleman of Company 3 Santa Monica landed the Paper Towns assignment, he was delighted that he’d be working with director Jake...
From the production team behind Senna comes an emotionally charged documentary film chronicling British singer-songwriter Amy Winehouse’s life and career, featuring previously unseen archive...
Colorist Dave Hussey worked on subtle grading effects designed to help put the viewer in the main character’s deteriorating state of mind.
Filmmaker Brett Morgen worked with Company 3 and colorist Shane Harris to color grade Kurt Cobain: Montage of Heck, a documentary that combines interviews,...
Colorist Dave Hussey reunited with director Joseph Kahn on this complex, elaborate piece, infused with the look and feel of a trailer for a...
Ryan Gosling was adamant about filling Lost River, his directorial debut, with visceral, unforgettable imagery. He achieved this goal through collaborations with cinematographer Benoît...
Colorist Shane Harris has worked on high-profile commercials, music videos and the indie features The Signal and Celeste and Jesse Forever, but Dawn of...