Canon’s C300 Mark III: Super 35mm, Dual Gain Output Sensor, Seriously Customizable
With a dual gain output (DGO) sensor, Canon's new/next camera features a modular design and an interchangeable lens mount optional accessory
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With a dual gain output (DGO) sensor, Canon's new/next camera features a modular design and an interchangeable lens mount optional accessory
Bringing Holmes into the 21st century for the ongoing series Sherlock was the idea of show creators Mark Gatiss and Steven Moffat. The series has made...
Director Will Allen’s documentary Holy Hell documents his 20 years living as part of a cult and culminates with clandestine footage of the cult leader himself....
Sundance documentary Nothing Left Unsaid: Gloria Vanderbilt and Anderson Cooper tells the extraordinary tale of the mother/son duo. To shoot it, cinematographer Tom Hurwitz chose...
Director/cinematographer Andrew David Watson has traveled the world, following his passion for interesting and challenging documentaries. Watson was recently called on to profile chef...
In this three-part interview with Workaholics DP Grant Smith, the cinematographer dicusses going from web series to successful Comedy Central series, lighting for comedies...
Documentarian Ondi Timoner is used to handling challenging subjects for her work, which was good preparation for her latest project.
In a first-person account, director Matthew Heineman writes on MovieMaker Magazine about finding and shooting a real-life meth lab deep in Mexico for his...
"I love the ergonomics. The buttons are well placed and the entire camera is incredibly intuitive," the DP says of the Canon C300.
Lipes worked with small Canon EOS C300 cameras for the most part and shot entirely in available light to keep a low profile.
The below video from Andrew Reid pits the Canon C300 against the Canon 1D C and Samsung NX1. As Reid writes, “The C300 is...
Director Matthew Heineman’s documentary Cartel Land tells the story of two leaders in both Mexico and Arizona fighting against a vicious and enormous drug...
While shooting Remand, a mini-documentary directed by Andy Reale about Uganda’s judicial system, cinematographer John Pope toured Uganda’s largest maximum security prison. Employing Freefly’s...
Knock Knock cinematographer Antonio Quercia writes about his experience shooting Eli Roth’s new horror film. He says of his camera choices, “I usually use...
Cinematographer Adam McDaid talks to Filmmaker Magazine about shooting Kevin Pollak’s documentary Misery Loves Company on the Canon C300. Says McDaid, “We shot two...
Hosted and produced by documentary filmmaker Morgan Spurlock, the CNN series Inside Man is filmed across a wide range of locations, requiring cameras that...
For Chicagoland, an eight-part unscripted CNN series from Brick City Television that examines public safety and education, cinematographer Mark Benjamin relied on Canon’s EOS...
“What I needed was, basically, the ultimate camera,” says director Sebastian Junger.
Keyframe.TV’s Christian Balducci gets technical with the Sony FS7, Canon C300, and Sony a7S, comparing each of their color sciences, as summarized by motionVFX...
Cinematographer John Pope has traditionally employed Freefly’s MoVI M10 for rugged, high-velocity shooting. Remand, a mini-documentary about Uganda’s judicial system, is by far his...
As director Ross Partridge and cinematographer Doug Emmett planned their web series Wedlock, they envisioned a cinematic look with shallow depth of field. Emmett...
I recently tried Zacuto’s Next Generation Recoil Rig on “Miss Earth,” a short film that features aliens fighting an epic intergalactic battle. My go-to...
Director Kris Hofmann and crew spent five months creating the beautiful, stop-motion animated spot “Saving Harry” for Wildlife Aid, based on illustrations by Sandra...
Director Jonathan Glazer captures a brutal game of Calcio Storico–an annual traditional football game played in Florence, Italy–in his spot for Canon. Glazer shot...
Attendees of this year's conference are invited to attend a series of free Canon training sessions which will delve into Canon's DSLRs, Cinema EOS...
Andrew Reid of EOSHD compares the Canon C300 to the specs of the newly announced Sony FS7. He writes, “ is cheaper...
Equatorial heat and humidity, sporadic electrical service and a modest budget were just a few of the challenges that director Josef Wladyka and writer/cinematographer...