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Blackmagic Design announced today that more than 25 feature length and short films competing at the 2018 Austin Film Festival used Blackmagic Design digital...
Director Ryan Lokken writes on Splice about his experience shooting his micro-budget feature film The Road to Siberia . Shot as a found-footage road...
"We wanted the film to be really designed and stylized," says cinematographer Hugh Braselton.
I’ve been lucky enough to have the opportunity to work on the NBC television series Blindspot, an action-thriller that includes dramatic fight scenes, intense...
Aleix Castells provides this test footage comparing the Blackmagic Cinema Camera‘s recording formats–Raw, ProRes HQ, ProRes 422, ProRes 422 LT, ProRes Proxy, and DNxHD–all...
Christian Sebaldt, ASC, cinematographer on the CBS cop drama Rush Hour, is using the Blackmagic Cinema Camera PL to shoot selected action, stunt and...
The founders of New York-based production company Shooting Films set out to make an indie film for under half a million dollars that would...
'The Living' was the first on-location film to be shot with the Blackmagic Cinema Camera.
See the RED Epic Dragon vs. the Blackmagic Cinema Camera in the camera test below from Tim Butt 2 Productions. As they explain, “RED...
For his documentary Being Evel, which examines the life of American daredevil Robert “Evel” Knievel and reflects on the voracious public appetite for spectacle,...
Cirina Catania’s Courage & Conviction is a feature-length documentary that documents the story of Marine Corporal Kionte Storey, a wounded veteran. The film highlights...
Cinematographer Shane Hurlbut compares the Blackmagic Cinema Camera to learning to shoot on 16mm film, explaining why he believes the camera is a great...
In the below shootout, Mattias Bunting pits the Sony A6000, Sony A7, Sony NEX-5T, Sony FS100, Sony AX100, Blackmagic Cinema Camera, and Blackmagic Pocket...
It’s been a year of energetic anticipation since Blackmagic Design announced the 4K Production Camera at the 2013 NAB Show.
