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Continuum 2021 adds 80 new cinematic effects, over 1000 stunning presets, and one-click 3D particles to the award-winning editing, VFX, and mograph collection.
The latakoo dailies workflow builds on company’s rapid, secure video file transfer platform
The industry leader for high-end visual effects plugins unveils its mid-year update.
This “instant movie” was all about demonstrating technologies now available to moviemakers—including the use of cloud storage and playout—that make it possible to greatly...
DejaSoft activates a paradigm-shift in collaborative editing by introducing the world to DejaEdit for the first time ever at NAB “DejaEdit...
Captivating Swedish thriller, nominated for seven Guldbagge awards, benefits from DejaEdit efficiency 28 February 2020, Gothenburg, Sweden – Film and TV drama Editor Rickard...
DejaSoft confirms IABM membership to further strengthen global presence of film tool DejaEdit 25 February, 2020, Gothenburg, Sweden – Software development firm DejaSoft announces...
Lame describes her method of "stacking," where she and director Noah Baumbach go line-by-line in a scene, choose their favorite line reading, and then...
The film draws on archival materials and features never-before-seen photographs and footage as well as intimate revelations from nearly 50 family members, friends and...
"Because it’s a film about art and artists, who are very controlled in their work, I wanted the look of the interviews to have...
Allows editors to transfer media files and timelines around the world
Four editing applications dominate the professional market: Adobe Premiere Pro, Apple Final Cut Pro X, Avid Media Composer, and Blackmagic Design DaVinci Resolve. Established...
The high-end visual effects plugin suite adds industry-standard OpenColorIO support, trendy Instagram-worthy effect, new Mocha parameter tracking and improved masking tools, and faster renders
"Through our many years of collaboration we have developed a very precise method of work," says Yorgos Lanthimos's editor Yorgos Mavropsaridis. "The process is...
Unifies media creation and production teaching tools on Avid platform
'Murder on the Orient Express' editor Mick Audsley talks to Neal Romanek about collaborating with Kenneth Branagh, a 65mm workflow and how sometimes it's...
'Suburbicon' combines an unproduced Coen Brothers screenplay with the story of an African-American couple moving to Levittown, Pa., in the summer of 1957.
An in-depth discussion with editor Paul Machliss, ACE, about his work on director Edgar Wright's 'Baby Driver.'
With tons of broadcast, web and OTT outlets for dramatic television, there's a greater opportunity than ever for American audiences to be exposed to...
Blackmagic Design’s just-announced DaVinci Resolve 14 has added robust sound-editing features, making it an even more compelling NLE at a price point that’s hard...
In an interview from the NAB Show 2017 show floor, Digital Production Buzz’s Larry Jordan interviews Avid’s VP for marketing solutions, Alan Hoff. Hoff discusses Avid’s...
Avid has announced the upcoming availability of Avid Media Composer | First, a free version of their signature video editing system. Media Composer | First...
"This is Terry’s ode to the Earth," says co-editor Keith Fraase.
As well as being a common euphemism for Los Angeles, La La Land is the name of writer/director Damien Chazelle’s newest film, a musical...
Avid is releasing a free new tutorial series called “Get Started Fast with Media Composer for Adobe Editors,” designed to get Premiere Pro editors...
"The key was to find a fluid and creative way to transition from one storyline to the other, to link those moments emotionally or...
In the forests of the Pacific Northwest, the rugged, unconventional Ben Cash (played by Viggo Mortensen) raises his six children to be resilient and...
On August 30th, Scott Simmons will be presenting a free webinar all about Avid Media Composer, which will take a tour through some of Media...
In a blog post on Avid, editor Guy Harding discusses cutting major multi-camera projects, like a live U2 concert and the Super Bowl Halftime...
The Nice Guys editor Joel Negron talks to Film Merit about cutting Shane Black’s ’70s-set raucous buddy cop comedy. “When the footage started to...
Technicolor-PostWorks NY presents this exclusive new webinar in which their team discusses their color correction workflow, and demonstrates how Media Composer and the Baselight plug-in...
Oliver Peters writes up four workflows each using Adobe Premiere Pro CC, Avid Media Composer, Apple Final Cut Pro X, or Blackmagic DaVinci Resolve...
The decade of the 1970s was the heyday of the rock music business, when a hit record nearly made you a king. Read our...
Editor Jonny Elwyn has put together a great, comprehensive list of video tutorials for color correcting within Adobe Premiere Pro, Apple Final Cut Pro X...
Editor Fred Raskin keeps pace with Quentin Tarantino's dynamic direction.
Spotlight, edited by Tom McArdle in his fifth collaboration with director Tom McCarthy, was completed at PostFactoryNY’s facility over the course of 10 months—eight...
Carol is a love story between two people from different backgrounds set in a society in the midst of a cultural shift. Read our...
"We knew the information would come fast and we didn't want the audience to feel pummeled," says editor Elliot Graham.
In the below video from Movie Machine, editor Walter Murch talks about cutting on Apple Final Cut Pro 7, Avid Media Composer and Adobe...
The film explores the history of the Black Panthers interweaving voices from varied perspectives who lived this story.
Filmmaker Luke Williams discusses using Avid Media Composer to cut his latest indie film Plentyn Clown. Explains Williams, “I am cutting this movie on...