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Creator/executive producer Bryan Fuller and Michael Green serve as showrunners for Starz' "American Gods." The pilot was shot by director of photography Jo Willems,...
A Cure for Wellness cinematographer Bojan Bazelli speaks to Filmmaker Magazine about shooting Gore Verbinski’s stylish horror movie. “For A Cure for Wellness we used...
Taylor Swift and Kanye West? That’s nothing! Back in the day, they knew how to feud. Case in point: the decades-long battles between movie...
Variety speaks to cinematographer Greig Fraser about his choices for shooting Lion , based on the true story of an Australian man who goes...
Moonlight DP James Laxton speaks to Filmmaker Magazine about shooting the acclaimed movie with a distinctive saturated looks that enhances the milieu of 1980s Miami....
Launching on cable network EPIX with a ten-episode season on October 16, Berlin Station is a contemporary spy series that follows Daniel Miller, who...
ARRI is replacing all of its Alexa XT cameras with the upgraded SXT. Explains Film & Digital Times, “Alexa SXT cameras benefit from electronics and...
"We watched many movies from the ’70s through the early 1990s," says DP Lachlan Milne. "We liked camera language of the era, including the...
Co-written and directed by Danish filmmaker Nicolas Winding Refn (Drive, Only God Forgives), The Neon Demon explores our society’s current obsession with beauty. Read...
“'Love & Friendship' was the first period film from that time for me, so I was really happy to do it, especially night scenes...
Susanna White’s Our Kind of Traitor is a fast-paced thriller, an adaptation of a John Le Carré novel with an international landscape. “An awful lot...
Cinematographer John Brawley has released his camera test pitting the Blackmagic URSA Mini 4.6K against the ARRI Alexa XT. As 4K Shooters writes, “We...
Is the new film from Canadian director Jean-Marc Vallée a study in grief, or in pathology? The unusual script by Bryan Sipe combines with...
To film the scenic literary adaptation Sunset Song, cinematographer Michael McDonough combined digital (filmed with an ARRI Alexa XT Studio) with 65mm film (filmed with an...
To shoot Terence Davies’ WWI epic Sunset Song, cinematographer Michael McDonough opted for a mix of digital and large format film. In additon to...
Steve Jobs screenwriter Aaron Sorkin decided to tell the story of the Apple CEO in three acts taking place at three distinctive times. The...
“I’ve always been heavily involved in cinematography on all my work—lighting design, camera placement—and I thought, why not keep it more intimate on this...
Based on the popular young adult novel Me and Earl and the Dying Girl, the indie feature of the same name directed by Alfonso...
A handy chart from Lights Film School compares 8 different popular cameras at a glance, detailing information about weight, sensor type, output and more....
In the below video Tomas Riuka compares the Sony F55 and Sony F3 with the ARRI Alexa XT. He concludes, “As you will see,...
Counting on Marvel’s deft touch when it comes to the commercial success of its stable of superheroes that includes Captain America, Iron Man and...
"The composition and framing were more important than the lighting," Seamus McGarvey reveals of the shoot.
Sela chose to work with ARRI Alexa XT cameras, combining anamorphic and spherical lenses and capturing in ARRIRAW to maximize image quality.
John Wick cinematographer Jonathan Sela talks to ARRI about using the ARRI Alexa XT for his first digital feature film shoot. John Wick tells...
