Creative Inspiration
What You Can’t See: Negative Space and Cinematography for “The Invisible Man”
“Leigh and I really loved how artificial and austere the motion control camera moves were,” says cinematographer Stefan Duscio
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“Leigh and I really loved how artificial and austere the motion control camera moves were,” says cinematographer Stefan Duscio
"I went back and watched a couple of movies were referencing, thinking that they were going to really give us this template for...
“It’s incredible how so much technology, with such a big sensor, can find its place in such a small, but still robust, camera body.”
"From the beginning, the chart has been designed around providing a tool for cinematographers to help them educate producers with the incredibly large variety...