How Cinematographer Mark Schwartzbard Scored the Scares for “Black Christmas”
One of the biggest challenges was that it was a low budget horror film, with a lot of action sequences, that had to be...
Edward Lachman, ASC, Develops the Visual Language for ‘Wonderstruck’
Todd Haynes' "Wonderstruck," based on the illustrated novel by Brian Selznick, is structurally complex but designed to be appreciated by children and adults alike.
‘Battle of the Sexes:’ ‘We Wanted This to Feel Like a Film Shot in the ’70s, Not a Film About the ’70s’
Part of effectively conveying the feel of a 1970s film came from originating on celluloid.
Collision Course: How the FX Series ‘Snowfall’ Depicts Intersecting Stories
The FX series "Snowfall" portrays the crack cocaine epidemic in early 1980s Los Angeles like an epic novel.
Angénieux Debuts First Two Models of EZ Zoom Lenses
Angénieux is presenting the first two models of its new Type EZ line of zoom lenses–Angénieux Type EZ-1 and Type EZ-2–at IBC this week....
OConnor Helps Svetlana Cvetko Build ‘The Architect’
Cinematographer Svetlana Cvetko has lent her expert visual talents to numerous documentaries, including the Oscar-winning Inside Job, Inequality for All and the Oscar-nominated short...