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Cinematographer Denson Baker, NZCS ACS, chose Cooke Anamorphic lenses to recreate the universe portrayed in the long-anticipated TV adaptation of Eleanor Catton’s Man Booker prize-winning...
Cooke Optics Anamorphic/i SF lenses gives remake of Pinocchio the Cooke look
Season 3 of Netflix series, GLOW, continues with a new look in a new location
DP Philip Lanyon goes for a different look for follow-up series to Star Trek: The Next Generation while remaining true to the TV and...
When the original two mini-series of Top Boy ended on the UK’s Channel 4 in 2013, few people thought the critically-acclaimed drama about two...
Selecting Cooke Anamorphic/i lenses was a choice director Nicholas Schrunk and I made early that really paid off in helping to bring 'Blood Road'...