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Cinematographer Si Bell and Director Anthony Byrne move crime drama series to a more cinematic look and feel For four seasons, Thomas Shelby, his...
The third and final season of the ITV crime drama Broadchurch was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan, who admits it...
Anamorphic lenses, long loved for their cinematic look, have become a predominant choice for television production. AMC’s Fear the Walking Dead is one of...
Not only does season two of HBO’s hit noir series True Detective switch to a completely different storyline, but the production went from shooting...
To shoot Insurgent, the second film in the dystopian Divergent trillogy, cinematographer Florian Ballhaus opted for an ARRI Alexa XT and anamorphic lenses for...
A Girl Walks Home Alone at Night cinematographer Lyle Vincent talks to ARRI about shooting the black-and-white anamorphic Iranian Vampire Western. Says Vincent, “[Director...
