Update your browser to view this website correctly. Update my browser now
Cooke Optics announced today details of the latest available lenses in its S7/i and Anamorphic/i Full Frame Plus ranges. Cooke continues to grow their...
“We wanted to approach it in almost a classical, theatrical way.”
Cinematographer Ken Seng explains how "imperfect, raw, and real" anamorphic lenses helped ground the look of the latest Terminator film.
Cinematographer Si Bell and Director Anthony Byrne move crime drama series to a more cinematic look and feel For four seasons, Thomas Shelby, his...
The third and final season of the ITV crime drama Broadchurch was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan, who admits it...
Anamorphic lenses, long loved for their cinematic look, have become a predominant choice for television production. AMC’s Fear the Walking Dead is one of...
Not only does season two of HBO’s hit noir series True Detective switch to a completely different storyline, but the production went from shooting...
To shoot Insurgent, the second film in the dystopian Divergent trillogy, cinematographer Florian Ballhaus opted for an ARRI Alexa XT and anamorphic lenses for...
A Girl Walks Home Alone at Night cinematographer Lyle Vincent talks to ARRI about shooting the black-and-white anamorphic Iranian Vampire Western. Says Vincent, “[Director...