How To
“Singularity:” How Cinematographer Khalid Mohtaseb Told a Love Story in Dance
“We wanted to approach it in almost a classical, theatrical way.”
anamorphic
Creative Inspiration
Problem Solving on “Terminator: Dark Fate” (American Cinematographer)
Cinematographer Ken Seng explains how "imperfect, raw, and real" anamorphic lenses helped ground the look of the latest Terminator film.
PR Wire
Cooke Optics Brings BAFTA award-winner Peaky Blinders Season 5 into the World of Anamorphic and 4K
Cinematographer Si Bell and Director Anthony Byrne move crime drama series to a more cinematic look and feel For four seasons, Thomas Shelby, his...
News and Features
‘Broadchurch’ Delivers Cinematic Scenes with Cooke Lenses
The third and final season of the ITV crime drama Broadchurch was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan, who admits it...
News
Panavision’s Anamorphic Look Invades Television
Anamorphic lenses, long loved for their cinematic look, have become a predominant choice for television production. AMC’s Fear the Walking Dead is one of...
News and Features
Cinematographer Nigel Bluck Chooses Anamorphic Lenses to Capture Noir Look of ‘True Detective’
Not only does season two of HBO’s hit noir series True Detective switch to a completely different storyline, but the production went from shooting...
News and Features
DP Florian Ballhaus Goes Anamorphic for ‘Insurgent’
To shoot Insurgent, the second film in the dystopian Divergent trillogy, cinematographer Florian Ballhaus opted for an ARRI Alexa XT and anamorphic lenses for...
News and Features
‘A Girl Walks Home Alone at Night’ DP on Choosing Anamorphic for the Vampire Western
A Girl Walks Home Alone at Night cinematographer Lyle Vincent talks to ARRI about shooting the black-and-white anamorphic Iranian Vampire Western. Says Vincent, “[Director...