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The high-end visual effects plugin suite adds industry-standard OpenColorIO support, trendy Instagram-worthy effect, new Mocha parameter tracking and improved masking tools, and faster renders
Boris FX Continuum 2020 is now available to film and television editors and artists faced with tight deadlines. The latest release of the post-production industry’s...
Keying, tracking, cleanup, and visual effects compositing, right inside Adobe After Effects. A brand-new suite of powerful visual effects tools from Red Giant, creators...
Major update to the industry’s #1 tool for motion graphics introduces new Dynamic Fluids™ physics engine to Adobe® After Effects® that makes simulating realistic...
In 2013, an elite crew of firefighters was dispatched to battle a wildfire in Yarnell, Ariz. Their heroic efforts are the subject of the...
Production company Loco's latest 360° film is an homage to Bob Dylan's "Subterranean Homesick Blues" video, with the added twist of slow-motion content.
Adobe has announced several updates for their video products including Premiere Pro and After Effects. For Premiere Pro, Adobe has introduced the Essential Graphics...
Rememory editors Tyler Nelson, Billy Peake and Jane MacRae speak to Adobe about their work on the sci-fi murder mystery film about a machine that allows people...
Fugitives Editorial was commissioned by The Strongheart Group in collaboration with the World Bank to produce Francis, a VR short film whose goal is...
"We chose Adobe Premiere Pro and Adobe After Effects to do the editing and effects work, combined with Mettle SkyBox VR plug-ins," says production...
Animator Joseph Blanc animates the uniquely styled music video for Dead Seem Old’s “This Mess Won’t Make Itself,” full of symbolic imagery about a young couple’s...
In the below video tutorial, filmmaker Preston Kanak explains how he recreated a plug-in to help smooth out his time-lapses from within Adobe Premiere...
When it comes to quirky movies, Swiss Army Man stands alone. Read our full story here.
New features include VR capabilities and proxy utilities.
Adobe’s latest Creative Cloud update inlcudes some big improvements within Photoshop but also some notable features for Premiere and After Affects as well. The two...
In the below video, Deadpool director Tim Miller explains how David Fincher helped convince him to use an all-Adobe workflow for the comic book movie....
We’ve heard of sets being used in place of real city streets, but this video turns that idea on its head. Claire & Max’s...
Nick Cobby animates and directs the music video for Max Cooper and Tom Hodge’s “Remnants,” which “deals with the idea of the mental, physical,...
Animator and musician Kim Taylor spent a year creating the music video for his track “Flore,” using Maxon Cinema4D and Adobe After Effects. He...
Design house Artjail created the main title sequence for Alex Gibney’s Scientology documentary Going Clear, as well as delivering an animation to visualize Scientology’s...
2D photographs seem to pop out of the landscape in T Tagholm’s hypnotic “Simulacra” which combines aerial photography with some work in Adobe After...
Trunk was tasked with creating a lyric video for Rolling Stones’ classic song “Wild Horses” in celebration of the 45th anniversary of their album...
The episode manages to incorporate all of the show’s characters via laptop and smartphone screens, communicating via FaceTime, Facebook and simple text messages.
This week’s episode of Modern Family took a break from format. The entire thing took place on a desktop computer and the whole episode...
Paul Parker revisits the subject of his viral video “An Hour of Birds All At Once,” with “Seagull Skytrails” which depicts the flight patterns...
Alasdair+Jock’s short animation for the International Maritime Organization is meant to inspire conversation with children ages 9-14 about the ocean’s environment and best practices...
Andrew Hasse, co-editor of 2015 Sundance film Cop Car, talks to Adobe about his decision to use Premiere Pro CC, After Effects CC, and...
H&M’s new socially conscious promos are charming spots that looks handmade, but actually took a high amount of comupter-generated pre-production and post-production wizardry, combined...
Filmmaker Vania Heymann explains how he made his memorable music video for Roy Kafri’s “Mayokero” by filming friends and family lipdubbing to the song,...
Band member and director Hop Litzwire relied on a RED Epic, Adobe After Effects, and Boris Continuum‘s Cartooner to get the old-school arcade look...
Adobe has released updates for a number of its video applications including Adobe Premiere Pro CC, Adobe After Effects CC, Adobe Media Encoder CC,...
Animator and director Nicolas Ménard explores the miscommunications of love in the animated music video for Tourist’s “Illuminate.” The 2D animated video was influenced...
Director Kris Hofmann and crew spent five months creating the beautiful, stop-motion animated spot “Saving Harry” for Wildlife Aid, based on illustrations by Sandra...
Filmmaker Guillaume Juin edits together three years of photographs captured from the International Space Station in his short video “Astronaut – A journey to...
David Fincher is back with another dark tale of modern life in Gone Girl, the film adaptation of Gillian Flynn’s 2012 novel. Read our...
How did beatbox artist Roy Kagri get the likes of David Bowie, ABBA, Madonna, and Michael Jackson to appear in his video? With a...
Roger developed the promo package for the recent 12-day “Every. Simpsons. Ever.” Simpsons marathon on FXX. The team whimsically transformed the FXX logo into...
The creators of French zombie movie Super Z speak to Adobe about their all-Adobe editing workflow. Says co-producer Emmanuel Pampuri, “The choice to go...
In the below video, Matthew Vandeputte explains how to use Adobe Lightroom, Adobe After Effects and Startax to create a vortex star trail from...
In the below video, Big League Film School’s Aviv Vana takes cues from cinematographer Camille Marotte to explain how Marotte uses Adobe After Effects...
For the FOX series event "24: Live Another Day," Encore provided on-site dailies and postproduction services for all 12 episodes.