— Multi award-winning, Billboard chart-topping songwriter/producer Monty Powell and jazz artist Anna Wilson hire Carl Tatz Design for a second time to design their beautiful new personal studio, the MontAnna Mix Room, while upgrading to the latest PhantomFocus™ System technology —
Nashville, TN: “It’s clearly the leading technology in monitoring,” comments uber-successful songwriter/producer Monty Powell about the new-generation PhantomFocus™ System (PFS) in his new MontAnna Mix Room designed by Carl Tatz Design LLC (CTD). “If I build ten more studios, which I hope I don’t,” jokes Powell, “every one of them will have a PhantomFocus System in it – I can’t imagine mixing without it.”
Not unlike those who want to drive the latest model Porsche 911 or Mercedes Benz SL sports car, many veteran PhantomFocus System users are beginning to upgrade to the latest PFS technology. “The legacy PFSs still sound terrific and are still a huge leg up over other monitor systems, while the newer iterations are far more powerful and quieter and can deliver even more accuracy in even the most difficult spaces,” notes Carl Tatz, principal of CTD and creator of the PFS.
Monty Powell and wife, jazz artist Anna Wilson, called on CTD for a second time when they decided to downsize and move from their beloved Nashville home that housed a beautiful Carl Tatz Design studio with 20′ tall ceilings in the tracking room into a posh new townhouse mix room nearby. The control room design features the now familiar trademark CTD Acoustic Lens™ and CTD Attenuation Cloud™ modules.
Since this successful couple is spending most of their time now in their Utah home when they are not gigging around the country at various jazz venues with Anna or songwriting on the road with the likes of country superstars Keith Urban, Rascal Flatts, Lady Antebellum and others, it makes perfect sense to make this transition. The move reflects a trend where many personal studio owners prefer to track in a commercial studio that has all the amenities you would expect in a professional tracking room and spend the remaining 90 percent of the time overdubbing and mixing in their own facility.
“It’s always a great compliment to be asked back by your client to design a second room, and Monty and Anna are so much fun to work with, both being very creative people with lots of enthusiastic ideas,” says Tatz. “And upgrading their PhantomFocus System was the maraschino cherry on top of the cake. They were very happy with their existing PFS, but when I convinced them that they should experience the new system at another studio, their mouths dropped – it sold itself.”
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