has today announced that its Nucoda Film Master system was used to grade three
winning productions –
d (Best Foreign Language),
(Best Animated Feature & Best Song) and
was shot on location in Southern Denmark and Kenya on RED ONE and was graded and finished by Swedish post production facility Filmek Teknik. The statuette was collected by the film’s Director Susanne Bier at Sunday night’s glittering Hollywood ceremony.
Situated in TrollhÃ¤ttan, Sweden, Filmek Teknik is owned by
the producer of In a Better World. The film was graded by Colorist Peter Hjorth. He says, “The brief was quite simple as the producers wanted clear colors with a Kodachrome look – an old
color reversal film.” The initial grading process was unusual as instead of using the intermediate film stock, Hjorth did a stock emulation of a Kodak slow daylight film stock, which has been used in Hollywood for many years. Prints from that were then sent to cineSpace – film color management software – with a calibration strip script on the film. He explains, “By doing this I could take the original RED log converted files and see those through the new cineSpace calibration, which provided a base grade. The cineSpace plug-in for Nucoda Film Master is a very important element and it works really well.”
Bright daylight is a theme throughout the film. Hjorth explains, “This is how we got the brightly lit skies, which have a cyan Kodachrome. This is very different from what you normally see on RED. Nucoda Film Master also allows you to exploit a higher dynamic range, which worked well with both locations and actually blends the Danish and African exterior looks. The whole film is about the contrast between those two environments.”
The film tells the story of Anton (Mikael Persbrandt) a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness.
The Nucoda Film Master tracking tool was also a vital part of the grade. The Danish shoot took place during a hot summer and when it came to grading the interior shots the actors had sunglasses masks that had to be removed. Hjorth says, “My assistant Emil Eriksson spent a lot of time tracking eyes and adding a sunglasses shape so that I could add some tan and extra dynamics in the blue eyes.
“The film has a blue eyed lead for both the male and the female and we really enhanced the color in their eyes, which was a key visual against the reddish brown backdrop of the African scenery. Because Nucoda Film Master has a very good noise reducer you can push the material further than with any other grading system.”
Hjorth concludes, “It was a really interesting project and I’m delighted that Susanne won the Oscar. The film has achieved global box office success and I’m very proud to have been a part of the creative process.”
About Digital Vision
Digital Vision provides innovative image restoration, enhancement, color correction and data conforming systems that major movie studios, television networks and post-production facilities use to master and deliver feature films, TV programs and commercials. The company’s Nucoda product line provides a strong suite of products for tapeless and non-linear grading for HD broadcast and 2k/4k digital intermediate productions. The company’s award-winning products are a standard of the media and entertainment industry and are deployed at top facilities and broadcasters around the world.
Digital Vision AB was founded in 1988 and is headquartered in Stockholm, Sweden, with three wholly owned subsidiaries, Digital Vision (US) in Los Angeles, California; Digital Vision UK in London, England; and Digital Vision in Hong Kong, China. The company maintains its global presence through a network of qualified distributors. Digital Vision is listed on the Stockholm stock exchange. For further information, go to
All trademarks used herein, whether recognized or not, are the properties of their respective companies.
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