Digital Domain Brings Movie-Scale Stereo Effects to “2 Worlds” for Sony

Author:
Publish date:

Venice, CA—October 17, 2011

—To create a new stereo 3D spot that would live up to Sony’s tagline for its 3D home entertainment products, “Don’t just watch. Feel,” Grey London and Spy Films tapped the masters of complex visuals at Digital Domain. The studio worked with director Arev Manoukian to create “2 Worlds,” a 60 second spot that features movie-scale visual effects and handles stereo 3D artfully to shatter the barrier between story and audience.

Based on the concept of Manoukian’s acclaimed short film “Nuit Blanche,” “2 Worlds” takes the lightning-strike feeling of love at first sight and brings it into the 3D realm, following a young man and woman as they’re drawn inevitably together while the physical world shatters around them in deference to the power of the moment. The spot, which broke on national TV October 4, is playing in 3D theatres and Sony in-store 3D displays nationwide.

“The visual effects on this spot are as complex and intricate as any you’ll see in major feature films,” said Ed Ulbrich, EVP of Digital Domain and President of Mothership. “We had to pull out all of the stops to create a piece that highlights stereo 3D artfully, without being gimmicky. It was a challenging project.”

“We treated this spot as an art piece and did a lot of up-front planning to blend CG, live action and stereo,” said Digital Domain Visual Effects Supervisor Richard Morton, who was brought into the process in its early stages to help plan the stereo shoot and overall creation. “Arev’s story was perfect for this medium. It has cityscapes where you can see miles down the road. The office and library are big, expansive rooms with characters in the foreground. There was a lot of opportunity to play with depth. The woman walks through a glass window and it shatters towards the audience -- that’s a great moment to showcase in 3D. It’s also slow motion, so you can really see what’s happening.”

To create the piece, Digital Domain worked with Manoukian to pre-visualize every shot. They held a five-day stereo shoot to capture the actors and elements on green screen using a high-speed camera. They also captured most of the smoke, sparks and debris effects practically in stereo – even shooting books out of a cannon to capture reference footage. This was tricky, Morton explained, because with cameras shooting at a high frame rate they tended to drift out of sync and had to be resynced later.

Aside from the actors and some elements and effects, all of the backgrounds in the spot were created digitally – even the complex library and office interiors. Digital Domain artists then faced the challenge of integrating CG and practical stereo elements. “We had hundreds of thousands of practical effects that we had to review individually to get the right performances,” said Morton. “You can’t art direct real smoke.”

The team layered CG smoke around the live action smoke billowing low along the sidewalks, matching it precisely, and added CG sparks to a practical bulb shattering behind the man’s head as he walks through the wall and into the rollicking street. Matching the speed of the CG cars and the position of the CG lighting with the speed of the live-action actors walking in slow motion was supremely difficult. In one of the spot’s most striking shots, the woman walking through shattering glass with her face in closeup, Digital Domain even hand-animated thousands of pieces of glass to enable Manoukian to art direct each one individually.

“When you add the stereo to the mix things get a whole lot more complicated,” said Morton. The traditional ‘cheats’ to integrate practical effects go out the window. You can’t rotate or mix and match elements. Everything has to be horizontally aligned. We used every tool and technique we possibly could to get the execution right.”

About Digital Domain

Digital production company Digital Domain was founded in 1993. The company has created visuals for more than 80 movies, including Titanic, The Curious Case of Benjamin Button and TRON: Legacy and hundreds of commercials. Its artists have earned multiple Academy Awards®. Digital Domain recently completed visual effects for Thor, Transformers: Dark of the Moon and Real Steel and is in production on Jack the Giant Killer, 47 Ronin and a full slate of commercials. Digital Domain is headquartered in Venice, California with studios in Vancouver, San Francisco and Florida.

www.digitaldomain.com

CREDITS

Directed by: Arev Manoukian

Production Company: Spy Films Arev Manoukian Director Carlo Trulli Executive Producer Marcus Trulli Producer

Animation & Visual Effects by: DIGITAL DOMAIN Ed Ulbrich President, Commercial Division; Executive Vice President Tanya Cohen Executive Producer Jim Riche Executive Producer Richard Morton Visual Effects Supervisor Melanie La Rue Senior Producer Michael Shores Senior Producer David Liu CG Supervisor William Lemmon Coordinator Niles Heckman Previs Artist Derek Crosby Technical Director Adrian Dimond Technical Director Michael Lori Data Integration Hilery Johnson Copeland Roto Artist Kanae Morton Roto Artist Ryan Apuy Digital Artist Lee Carlton Digital Artist Daisuke Nagae Digital Artist Anthony Ramirez Digital Artist Gideon Vandegrift Digital Artist Samir Lyons Animator Dan Patterson Animator Jason Mortimer Lead FX artist John Cooper FX artist Eric Ebling FX artist Ken Jones FX artist Rafael F. Colón Lead Nuke Compositor Arthur Argote Nuke Compositor Sven Dreesbach Nuke Compositor Niles Heckman Nuke Compositor Aruna Inversin Nuke Compositor Lenz Kol Nuke Compositor Christopher DeCristo Flame Artist Jeff Heusser Flame Artist

Related

More than 55 of the 2018 Fall Television and Streaming Series Rely on Blackmagic Design

More than 55 of the 2018 Fall Television and Streaming Series Rely on Blackmagic Design

Blackmagic Design today announced that the company’s production and post products were used to complete many of the fall 2018 season’s new and returning television shows and streaming series. More than 55 shows rely on Blackmagic Design’s digital film cameras; Fusion visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve editing, color correction, VFX and digital audio software; as well as its switchers, routers, monitors and capture and playback devices.

Luxul_AMS-1208P

Jingle All the Way: Luxul's XMS-1208P Managed Gigabit Switch is Available for All CI Integrators this Holiday Season

Luxul, the leading innovator of IP networking solutions for AV integrators, today announced that it's giving CI integrators the gift of enterprise-level performance at affordable price points this holiday season. It doesn't matter if they've been naughty or nice, the company's XMS-1208P 12-port/18 PoE+ managed Gigabit switch — that delivers high-speed performance while enabling simple network expansion — is now available for all. And to ring in the new year, Luxul will begin shipping its AMS-1816P 18-port/16 PoE+ L2/L3 managed Gigabit switch in early January.

HoverCam_VV1

HoverCam Transforms Classrooms Fit for Future-Ready Students at Val Verde USD

HoverCam, an innovative technology leader in the digital education market, announced that Val Verde Unified School District (USD) in Parris, California, successfully installed HoverCam's Pilot digital teaching stations and CenterStage interactive flat panels (IFPs) in new STEM labs in the elementary schools, with plans for an eventual rollout to the district's middle and high schools. As part of the district's goal to create future-ready students, Val Verde USD chose HoverCam digital education solutions to address the rising challenge of updating classrooms and introducing curriculum with advanced systems that will prepare students for a rapidly changing career landscape.

ScreenShot2018-12-11at2.41.29PM.144822

The Sigma Holiday Sale Is Back!

Nothing makes gift giving as enjoyable as special prices on award-winning Sigma lenses and accessories; get the lens you’ve always craved or surprise a fellow shooter with the perfect present.

Riedel-Ruptly-Vans-3

Global News Agency Ruptly Relies on Riedel's MediorNet and Artist on Board New OB and DSNG Vehicles

Riedel's MediorNet real-time media network and Artist digital matrix intercom are providing the decentralized and redundant signal routing and communications backbone on board two all-new, state-of-the-art OB vehicles for Ruptly, a Berlin-based international news agency. Qvest Media, a world-leading system architect and integrator for the broadcast and media industries, designed and built the new broadcast van and DSNG vehicle.