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Full Frame, But For Indie Filmmakers? Panasonic’s Lumix S1H Camera

“With the Lumix S1H, Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix S range.”

The Panasonic Lumix S1H Review originally appeared on on Digital Camera World.

Writing for Digital Camera World, Rod Lawton says, “The Panasonic Lumix S1H could easily look like a ‘video’ version of its 24-megapixel Lumix S1 mirrorless camera, and in the past it has been pretty difficult sometimes to unravel the different video credentials of Panasonic’s Lumix G cameras.

“This time, though, the difference is clear—the Lumix S1 is a stills camera that’s pretty good at video; the S1H is most definitely a video camera that also happens to be pretty useful for stills.

“It’s not just us saying that,” Lawton continues. “The Lumix S1H is the first mirrorless camera to get Netflix ‘A’ approval as a primary camera for filming original Netflix productions, and the cheapest too, mixing with far more expensive rivals like the ARRI Alexa 65, RED One and Sony Venice.

“Its video specifications are impressive enough, but with plenty of rivals snapping at its heels, it also relies on other key cinematography features to make its mark.” To read the full review, click here.

Panasonic’s S1H camera

Watch: Four Filmmakers Compare Notes on Shooting With the Panasonic S1H

“With the Lumix S1H, Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix S range,” Lawton concludes. “The controls, the interface and certainly the hardware have been built for video and cinematography, and the fact it’s also a very serviceable 24MP stills camera is a bonus. It’s a very interesting ‘bridge’ between conventional system cameras and higher end cine gear, especially for existing Panasonic videographers.” Read the full review here.

Read more: 2019 Was Dominated by 6K and New Mirrorless Cameras

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