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U2 Live: Multicamera Editing With Avid

In a blog post on Avid, editor Guy Harding discusses cutting major multi-camera projects, like a live U2 concert and the Super Bowl Halftime Show, with Avid.

He writes, “The [U2] show was shot with 22 cameras in UHD on three different nights, so I have a group with 66 cameras in it—all loaded at DNxHD 45. The ability for me to use Avid literally anywhere with flawless, nine-way multicam playback has become a big game changer for me. My media is only connected via FireWire 800 on external drives.”

Read part 1 here and part 2 here.