Cimetographer Nicholas Matthews talks to AbelCine about shooting the indie film Jackrabbit 29 on an ARRI Alexa 4:3 with anamorphic lenses.
He says, “Kyle Klubal, the director, is in love with the anamorphic look, and from our very first conversations we were dedicated to making this film in anamorphic. On a digital sensor, anamorphic lenses are a beautiful way of bringing a cinematic edge and distinctiveness to the photography. And framing for the beautiful 2.40 aspect ratio with anamorphic felt right, especially with the epic scope of some of the scenes featuring five or more characters and the desert.”
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