1. REDCODE vs 35mm Film.
I’m sure everyone has had this argument with someone they know or
work with. I’ve had this discussion/argument with a cinematographer who
has both shot on film and on RED and still prefers 35mm over RED
despite the long waiting period and higher costs of production. Maybe
it’s an age/generation difference. Here are some facts that I have read
regarding RED footage and 35mm film and how each is handled. I highly
recommend checking out Paul Wheeler’s High Definition Cinematography Book, it’s a great read!
Click www.mindwarpentertainment.com for the whole story.