“The key here, the thing that got me excited, is ease and flexibility,” writes Kenny McMillan about Canon’s C500 Mark II. “With the C500 I’ve got tons of options and can scale up or down depending on the client, and personally it gives me everything I could want when making my own films. You’d be hard-pressed to find a situation that the C500mkII wouldn’t excel in, and I’ll attempt to lay that thought process.” Read his full review here.
In the below video, the team at ProAV talks about Canon’s large-format offering for narrative cinematic work: the Canon C500 Mark II.
“With the C500 Mark II, Canon has a camera at a very reasonable price point compared to its competition in this area. And one that actually has quite a few advantages.”
From the internal raw codec to the compact, modular design, watch and see what sets this camera apart.