Chronicling Cecil Beaton's Creative Obsession(s)
"His creative drive dominated him and ultimately he sacrificed everything just for that."
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AI, JFK: Video Assembles Kennedy's Undelivered Dallas Speech
'JFK Unsilenced' allows audiences to hear the speech delivered in the president's own voice
The Dark, Twisted Fantasies in 'McQueen'
Explains the documentary's co-director Ian Bonhôte, designer Alexander McQueen was "an obsessive genius running on raw energy and instinct."
Literal Found Footage: Managing the Material for 'Wild Wild Country'
"Every combination [of source material] you can think of went into this series. We just embraced the aesthetic defects and differences—creating an interesting visual texture."
Developing the Texture and Tempo of 'Atlanta'
How editors Kyle Reiter and Isaac Hagy tell the stories for the series
Assembling the Amazing Archival Material for 'That Summer'
Göran Olsson's documentary uses long-long footage of Edith and Edie Beale 'to evoke memories in a contagious way.'
Making Waking Nightmares for Father John Misty's 'Mr. Tillman'
Co-director Jeff Desom details the despair.
'Westworld' Workflow: Post on the Sci-Fi Series
"Until you see the whole episode in front of you, you don't see what the big picture is."
Méliès, Magic and the Moon: Making Google's VR Doodle
"George Méliès pioneered film techniques that immersed people in unfamiliar experiences—an early precursor to today's virtual reality."
'Bobby Kennedy for President:' Realizing the Relevance
"My goal is to help you understand as much as possible what this remarkable person is experiencing or doing, and let you judge for yourself."
Sounds and Silence: Designing the Dread for 'A Quiet Place'
"We were all very excited about the idea that in this film, the audience is really going to pay attention to every sound in ways they maybe haven't before."
Family Moments and Rare Footage for 'American Dynasties: The Kennedys'
"We were looking at moments in history where you might not know what happened behind the closed doors."
Video Essay: What Does a Wes Anderson Film Sound Like?
"How Wes Anderson creates moments of wonder, tension, and dramatic atmosphere through his use of sound"
'Arthur Miller: Writer,' As Documented by Rebecca Miller: Daughter
Told from the perspective of his daughter, 'Arthur Miller: Writer' combines interviews spanning decades with personal archival material.
Scary Monsters: Alex Garland on Mutation and 'Annihilation'
"Garland deliberately set out to construct a dream-like film, with the exploratory team encountering ever more strange sights, including a diverse array of threatening creatures."
High Stakes: Managing the Post for 'Molly's Game'
"Aaron [Sorkin] methodically worked in a reel-by-reel order. We would divide up sequences between us at breaks that made sense. But when it came time to review the cut on a sequence, we would all review together."
How HEC-TV Has Overcome the Challenge of Too Many Formats
As technology has moved from analog to digital to HD and now to 4K, video producers have been left to sort out the tangle of file structures, compression codecs, and metadata-storage mechanisms for themselves.
Time Travel: Visual Effects Challenges on 'The Crown'
The production team faced making a drama series set in the 1950s and '60s using cutting-edge technology that's a million miles from the grainy pictures of the show's time period.
Think Small: Alexander Payne and Kevin Tent Reteam for 'Downsizing'
The bond between a film director and editor is often an enduring one.
Goldcrest Executes DI for 'Murder on the Orient Express'
Blackmagic Design's DaVinci Resolve Studio managed the color pipeline, including on-set dailies and final grade, for Kenneth Branagh's "Murder on the Orient Express."
The Magic Happens for 'Shape of Water' at Deluxe Toronto
When the time came for filmmaker Guillermo del Toro to post his Cold War period fantasy/drama The Shape of Water, he returned to Deluxe's all-inclusive post facility in Toronto.