The Wire
Company 3, Subsidiary of Deluxe Entertainment Services, Acquires Sixteen19
This strategic acquisition expands editorial, VFX and mobile dailies services
Post
Shoot
Blackmagic Releases Pocket Cinema Camera 6K
In a livestream announcement on Thursday, Aug. 8, Blackmagic Design highlighted a trio of newly updated and released products for production and post applications.
News and Features
Don’t They Know It’s the End of the World? Opening “Good Omens”
Peter Anderson describes the titles as "a totally bonkers mishmash of all animation styles in a way where they feel as if they belong...
Featured
Solving the Puzzle of “Bandersnatch” Post
"Bandersnatch" editor Tony Kearns: "It's a different kind of storytelling pressure that you have to deal with, mostly because you have to trust your...
News and Features
The Video Show: We’re Looking for Awesome Speakers, Sessions and Suggestions
We'd like your knowledge and expertise for cutting-edge, thought-provoking sessions, panelists and presentations for The Video Show, to be held Dec. 4-5 in Washington,...
News and Features
“Gemini Man:” 3D, 120 fps, 2 Will Smiths
"It is my great fortune to be able to experiment and test the limits of what new digital cinema has to offer us."
News and Features
Giant Steps Are What You Take: Managing the Amazing Material in “Apollo 11”
"What started out as a simple editing exercise—could we tell the entire story of the mission using only archival materials—turned into a cooperative effort...
News and Features
Methodology and Madness: Editing ‘The Favourite’
"Through our many years of collaboration we have developed a very precise method of work," says Yorgos Lanthimos's editor Yorgos Mavropsaridis. "The process is...
News and Features
Chaos and Cinema: Editing ‘The Image Book,’ Godard’s Visceral Video Essay
"Filming is a sort of postproduction," director Jean-Luc Godard says.
Post
The Color Wheel and Cinematic Emotion
From 'Chungking Express' to 'A Clockwork Orange,' view a compilation of impactful color in film
News and Features
The Dark, Twisted Fantasies of ‘McQueen’
Explains the documentary's co-director Ian Bonhôte, designer Alexander McQueen was "an obsessive genius running on raw energy and instinct."
Post
Chronicling Cecil Beaton’s Creative Obsession(s)
"His creative drive dominated him and ultimately he sacrificed everything just for that."
News and Features
AI, JFK: Video Assembles Kennedy’s Undelivered Dallas Speech
'JFK Unsilenced' allows audiences to hear the speech delivered in the president's own voice
Post
The Dark, Twisted Fantasies in ‘McQueen’
Explains the documentary's co-director Ian Bonhôte, designer Alexander McQueen was "an obsessive genius running on raw energy and instinct."
News and Features
Literal Found Footage: Managing the Material for ‘Wild Wild Country’
"Every combination you can think of went into this series. We just embraced the aesthetic defects and differences—creating an interesting visual...
News and Features
Developing the Texture and Tempo of ‘Atlanta’
How editors Kyle Reiter and Isaac Hagy tell the stories for the series
News and Features
Assembling the Amazing Archival Material for ‘That Summer’
Göran Olsson's documentary uses long-long footage of Edith and Edie Beale 'to evoke memories in a contagious way.'
Post
Making Waking Nightmares for Father John Misty’s ‘Mr. Tillman’
Co-director Jeff Desom details the despair.
News and Features
‘Westworld’ Workflow: Post on the Sci-Fi Series
"Until you see the whole episode in front of you, you don't see what the big picture is."
News and Features
Méliès, Magic and the Moon: Making Google’s VR Doodle
"George Méliès pioneered film techniques that immersed people in unfamiliar experiences—an early precursor to today's virtual reality."
Post
‘Bobby Kennedy for President:’ Realizing the Relevance
"My goal is to help you understand as much as possible what this remarkable person is experiencing or doing, and let you judge for...
News and Features
Sounds and Silence: Designing the Dread for ‘A Quiet Place’
"We were all very excited about the idea that in this film, the audience is really going to pay attention to every sound in...
Post
An Inspired Adventure on the ‘Isle of Dogs’
Detailing director Wes Anderson’s upcoming stop-motion film Isle of Dogs, Jenny Brewer explains that it’s “set in Japan, 20 years in the future, in...
Post
Family Moments and Rare Footage for ‘American Dynasties: The Kennedys’
"We were looking at moments in history where you might not know what happened behind the closed doors."