Edit

Göran Olsson's documentary uses long-long footage of Edith and Edie Beale 'to evoke memories in a contagious way.'

Building a cornfield, CG monsters and perfect pop culture comedic moment in under 36 hours

"Until you see the whole episode in front of you, you don't see what the big picture is."

"We were all very excited about the idea that in this film, the audience is really going to pay attention to every sound in ways they maybe haven't before."

"How Wes Anderson creates moments of wonder, tension, and dramatic atmosphere through his use of sound"

"Aaron [Sorkin] methodically worked in a reel-by-reel order. We would divide up sequences between us at breaks that made sense. But when it came time to review the cut on a sequence, we would all review together."

The bond between a film director and editor is often an enduring one.

Errol Morris and Igor Martinovic Experiment with Storytelling Conventions

The Technologies and Applications to Anticipate in the Coming Year

Todd Haynes' "Wonderstruck," based on the illustrated novel by Brian Selznick, is structurally complex but designed to be appreciated by children and adults alike.

When the time came for filmmaker Guillermo del Toro to post his Cold War period fantasy/drama The Shape of Water, he returned to Deluxe's all-inclusive post facility in Toronto.

Blackmagic Design's DaVinci Resolve Studio managed the color pipeline, including on-set dailies and final grade, for Kenneth Branagh's "Murder on the Orient Express."

James Tonkin of Hangman was tasked with covering the development of Robbie Williams' 2017 European tour, from rehearsals to live shows in the U.K. and Europe.

• Videoedge

In 2013, an elite crew of firefighters was dispatched to battle a wildfire in Yarnell, Ariz. Their heroic efforts are the subject of the film "Only the Brave," which premiered on Oct. 20.

A few years ago we'd have been forgiven for assuming that by 2017, all storage would be solid state.

'Murder on the Orient Express' editor Mick Audsley talks to Neal Romanek about collaborating with Kenneth Branagh, a 65mm workflow and how sometimes it's good to have to wait.

I recently spoke with Tyler Nelson, one of the four series editors, who was given the opportunity to move from the assistant chair to that of a primary editor on 'Mindhunter.'

Ai Weiwei approached shooting 'Human Flow' with the idea that he would take advantage of modern filmmaking tools such as camera phones and drones to show new perspectives.