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Films, formats, philosophies: “I remember what John Huston said — ‘You shoot with your gut, not with your head! I really believe that.’”
“You see that a group of folks with disabilities can rally around and be incredibly savvy and make some incredible decisions and plans and...
Make the mundane... magical
“From interactive, 360-degree videos and full 'walk-around' tours with voiceover descriptions to slideshows with zoomable photos”
Editor Michael J. Palmer blends archival footage with newly-shot interviews for prolific filmmaker Alex Gibney’s portrait of the disgraced Russian oligarch-turned political dissident who...
“The challenge was to create a new type of series that looks at the pathology of animal people and the ethics of keeping exotic...
“It’s not capturing grand landscapes, but people who have very small lives.”
“I told all my departments,” explains “Emma.” director Autumn de Wilde, “the colors need to feel edible.”
We’ll be updating the list daily, so check back!
Go inside the imaginations of directors like Spike Jonze, Michael Gondry, Dave Meyers, Dom & Nic, and OK Go’s resident genius Trish Sie
“Each day GoPro will pick five of its favorite entries from around the world and give the winners their choice of a Hero 8...
“A mirror-lined chamber populated with a dazzling and seemingly vast array of LED lights creating a disorienting sense of limitless space”
“It’s very clearly the case that technology and technological advances are happening at a rate that we are not able to keep up with.”
“The Cave” provides an unflinching look at the courage, resilience and solidarity that exists between female physicians working in war-ravaged Syria.
“Staying true to the intent of the book, while also doing the things necessary to make it a viable miniseries, it was kind of...
Director Benh Zeitlin: “Life should be a great adventure!”
“Believe the hype: The film is beautiful and shattering, a paean to the female gaze that’s shot by women, directed by a woman, and...
Filmmakers Josh and Benny Safdie team with acclaimed cinematographer Darius Khondji for a high stakes thriller set in the Diamond District of New York...
Director Leigh Whannell made creative use of the different types of frights you could come up with — the quiet opening of a door,...
“Many times he will describe what he wants to shoot and I will think ‘that’s going to be really difficult,’ but somehow we always...
"Being able to complete post production using a single piece of software makes so much more sense to me creatively.”
“We're pretty precise as far as the... planning what's going to happen in the scene and we have really good people that know how...
The “Portrait of a Lady on Fire” cinematographer delivers a dreamy yet vibrant, color-saturated look for Mati Diop’s debut feature.
Inspired by true stories, Apple TV+ anthology series uses stylized, dramatized vignettes to go beyond the headlines.
“In Parasite, every single shot drives home visually the vital themes of wealth, disparity and the myth of class mobility with every set constructed...
“Chernobyl” cinematographer Jakob Ihre discusses the look of the acclaimed HBO series
"In everyday life we encounter who is rich, who is poor, and why... almost every day. It's quite natural to create that kind of...
Alongside films like "Memento" and "Pulp Fiction," Damon Lindelof’s graphic novel adaptation breaks new ground.
Seven-part series narrated by Sir David Attenborough employs 8K cameras and boundary-defining drone techniques to capture unique perspectives and new species.
“I have always wanted to make a film about the creatures with whom we share the earth, a film about animals as living, feeling...
"Knives Out" cinematographer Steve Yedlin passionately discusses why the device used to capture the images is secondary to the final result, as well as...
Delivering a visceral, uninterrupted cinematic experience, the legendary cinematographer breaks new ground in Mendes’ World War I feature.
Here's a history of films that have used long takes to pack a powerful punch.
“Visual and visceral communication draws the audience closer to the protagonists, and more importantly — closer to nature.”
Wes Anderson’s longtime cinematographer and collaborator Robert Yeoman discusses the critical visual elements of their films in this interview from Cooke Optics:
“The choice to make a period show was a way of writing a stylized version of the present.”
French filmmaker mined 100 hours of documentary footage shot in the wake of the 2005 Paris riots for his feature.
“Whatever your response to Robert Eggers’ polarizing The Lighthouse, the visual bedrock established by director of photography Jarin Blaschke has been so consistent a point...
As Noah Baumbach’s longtime editor, Jennifer Lame started working on the Netflix feature well before principal photography, spending hours with the director breaking down...
Shot at 96 frames-per-second at remote locations all across the globe, “Aquarela” is a monumental new documentary about the elemental power of ice and...
"The tools were ready and then I had to react in the moment."
Honey Boy director Alma Har'el explains how coming from the world of experimental documentary film helped her direct her first feature-length narrative.