Cinematographer Claudio Miranda talks to Jay Holben of American Cinematographer about being one of the first major productions to use the Sony F65.
He says, “We ended up being some of the first guinea pigs for the F65 in a production scenario,” he continues. “It gives you a fantastic image, but it’s a large camera, and the ergonomics aren’t necessarily the most user friendly. When we wanted to put body mounts on Tom Cruise or do quick Steadicam moves, we used Red Epics instead. But about 98 percent of the movie was shot with the F65.”
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