Oliver Peters delves into some the challenges of post-production for 4K footage.
He writes, “The push for 4K post comes from a number of sources, but many voices in the independent owner-operator camp have been the strongest. These include many RED camera owners, who successfully cut their own material straight from the native media of the camera. NLEs, like Adobe Premiere Pro CC and Apple Final Cut Pro X, make this a fairly painless experience for small, independent projects, like short films and commercials. Unfortunately it’s an experience that doesn’t extrapolate well to the broader post community, which works on a variety projects and must interchange media with numerous other vendors.”
Read the full story here on his digitalflims blog.