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‘Misery Loves Comedy’ DP Adam McDaid Chooses the Canon C300

Cinematographer Adam McDaid talks to Filmmaker Magazine about shooting Kevin Pollak’s documentary Misery Loves Company on the Canon C300.

Says McDaid, “We shot two Canon C300s with two EF mount L-Series zooms — 24-70mm and a 70-200mm. I picked this camera and lens set up because it would allow us to work quickly, and I knew the C300 would allow me to capture images with good latitude for our final grade. The zooms were great because we never had to swing lenses. This set up also worked well for our limited budget. I’ve shot a good number of projects on the C300, and I know how hard I can push the camera and how well it performs.”

Read the full story here.