“This isn’t solely because bigger sensors are ‘better.’ There are many other advantages to going with larger, higher-resolution sensors for video.
“Among the easiest to understand is versatility. Users will have access to full-frame, Super 35, or smaller crops to achieve different looks, perspectives, or even frame rates. Full-frame makes a single camera much more capable and gives filmmakers more control over how they want their image to look.
“Full-frame technology is also getting cheaper,” he continues. “We already had quite affordable options ever since the 5D Mark II delivered our first taste of full-frame digital video, but now all the major brands are bringing out professional digital cinema cameras packing full-frame in more affordable packages. The added versatility is an outstanding option for many shooters, and having a bit more resolution or improved low-light performance is a nice bonus.
Similar to how Super 35 slowly became more affordable and mainstream, I expect full-frame to be the next ‘big’ thing.” Read the full article and buying guide here.