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Get Tips for a DaVinci Resolve/Final Cut Pro X Workflow

Oliver Peters writes about his workflow roundtripping between Final Cut Pro X and DaVinci Resolve using RED footage.

He writes, “Last October I wrote about the roundtrip workflow surrounding Final Cut Pro X and Resolve, particularly as it relates to working with RED camera files. This month I’ve been color grading a small, indie feature film shot with RED One cameras at 4K resolution. The timeline is 1080p. During the course of grading the film in DaVinci Resolve 11, I’ve encountered a number of issues in the roundtrip process. Here are some workflow steps that I’ve found to be successful.”

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