Philip Bloom: Why I Have Moved Over to Adobe Premiere CS6 from Final Cut 7

Author:
Publish date:
Social count:
0

After beta testing Premiere Pro CS6 for a few months, Philip Bloom details why he decided to make the switch from Fianl Cut Pro 7 to Adobe's latest NLE.

He writes, "Since getting CS6, I have been sinking my teeth into it and found it incredibly rewarding and exactly what I needed FCP to become. It’s also better for Mac users without Nvidia cards as the Open CL means we can get the Mercury Engine working on non-Nvidia graphics cards. Multi-format timelines with NO TRANSCODING? Brilliant! I can even mix 24p and 25p on the same timeline. One of the projects I am editing currently is a documentary with Epic, F3, a f100, 5dmk2 footage all on the same timeline, all native. It works. Yeah the 5k stuff struggles on my laptop and I have to drop resolution, but you can do it. The rest of the stuff works beautifully."

Read his full post here.

Related

lords-of-chaos---still-1_27264746249_o

Black Metal, Murder and Mayhem: 'Lords of Chaos'

"At the end of the day, these were just young, passionate kids who had a lot of energy and some really big ideas, but played around with some dangerous stuff in the quest for fame, or infamy or whatever you want to call it. And ultimately, it got out of their control."

The Switch Announces Senior Executive Change

The Switch announced today that company co-founder, Scott Beers, is stepping down as Chief Executive Officer, as part of the company's continued-growth succession plan, effective immediately. The company's board of directors named Keith Buckley, who was recruited as Mr. Beers' successor and is the current President and COO, as its new President and CEO. Mr. Buckley, a 25-year veteran of the media services and telecom industries, was appointed to his current role by True Wind Capital Management in August 2017.

Proco Sound Now Shipping AoD Output Module Ahead of Nab 2018

ProCo Sound, manufacturer of a range of audio interface products, is now shipping its AoD Ouput Module ahead of NAB 2018 (Central Hall - Booth: C2322). Designed to ensure studio-quality, low-latency audio transport over any Dante network, the AoD Output Module features a Dante audio input and two channels of analog output from a rugged aluminum extrusion housing.